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Bastards and Booties: Production, Copyright, and the Mashup Community
7 references·0 citing·31 second hop
Bastards and Booties: Production, Copyright, and the Mashup Community (2010)Bastards and Booties: Production, Copyrig…Remix: making art and commerce thrive in the hybrid economy (2009)Remix: making art and commerc…Making beats: the art of sample-based hip-hop (2005)Making beats: the art of samp…Confessions of an Intellectual (Property): Danger Mouse, Mickey Mouse, Sonny Bono, and My Long and Winding Path as a Copyright Activist‐Academic1 (2005)Confessions of an Intellectua…Free culture: how big media uses technology and the law to lock down culture and control creativity (2004)Free culture: how big media u…Danger Mouse's Grey Album, Mash-Ups, and the Age of Composition (2004)Danger Mouse's Grey Album, Ma…Wake the Town and Tell the People: Dancehall Culture in Jamaica (2002)Wake the Town and Tell the Pe…Home on the page: a virtual place of music community (2000)Home on the page: a virtual p…The queen's throat: opera, homosexuality, and the mystery of desire (1993)Paul McCartney: Many Years from Now (1997)Copyrights and Copywrongs: The Rise of Intellectual Property and How it Threatens Creativity (2001)Mediated Music Makers: Constructing Author Images in Popular Music (2007)Creative Networks and the City (2010)What Did Danger Mouse Do? The Grey Album and Musical Composition in Configurable Culture (2015)Anti-Oedipus: Capitalism and Schizophrenia. (1978)Noise... The Political Economy of Music (1988)Contextual incongruity and musical congruity: the aesthetics and humour of mash-ups (2012)This home is a factory: Implications of the Maker movement on urban environments (2013)The rise of independent artists and the paradox of democratisation in the digital age: Challenges faced by music artists in the new music industry (2023)Jokes and their Relation to the Unconscious 1905 (2024)Art versus technology: the strange case of popular music (1986)Beyond “Culture”: Space, Identity, and the Politics of Difference (1992)Popular Music in Indonesia since 1998, in Particular Fusion, Indie and Islamic Music on Video Compact Discs and the Internet (2002)Doing Scene (2012)The internet and value co-creation: the case of the popular music industry (2013)4. ‘Will the Real Body Please Stand Up? Boundary Stories about Virtual Cultures’ (2019)Of Mice and Magic: A History of American Animated Cartoons (1980)Cultural industries and cultural policy (2005)Co-Creation: Toward a Taxonomy and an Integrated Research Perspective (2010)The Wealth of Networks (2017)Let a Thousand Flowers Bloom? An Early Look at Large Numbers of Software App Developers and Patterns of Innovation (2011)Sharing Economy (2016)Taken Out of Context: American Teen Sociality in Networked Publics (2017)Very Straight Sex: The Development of Sexual Mores in Jamaica (2001)Trouble en Route: Drug Trafficking and Clientelism in Rio de Janeiro Shantytowns (2006)Out and Bad: Toward a Queer Performance Hermeneutic in Jamaican Dancehall (2011)Framing and Reviewing Hip-Hop Educational Research (2009)The Reorganization of the Sensory World (2010)Sounding Race in Rap Songs (2015)
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References

  • 2004Free culture: how big media uses technology and the law to lock down culture and control creativity1,427 cited
  • 2009Remix: making art and commerce thrive in the hybrid economy1,301 cited
  • 2005Making beats: the art of sample-based hip-hop604 cited
  • 2002Wake the Town and Tell the People: Dancehall Culture in Jamaica130 cited
  • 2000Home on the page: a virtual place of music community75 cited
  • 2005Confessions of an Intellectual (Property): Danger Mouse, Mickey Mouse, Sonny Bono, and My Long and Winding Path as a Copyright Activist‐Academic157 cited
  • 2004Danger Mouse's Grey Album, Mash-Ups, and the Age of Composition41 cited

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