References

No references inside the corpus for this window.

Cited by

• 2015The Clacton Spear: The Last One Hundred Years48 cited
• 2019Cultural Heritage Reconstruction after Armed Conflict: Continuity, Change, and Sustainability47 cited
• 2015Conservation and authenticity: Interactions and enquiries33 cited
• 2019Continuity: a fundamental yet overlooked concept in World Heritage policy and practice30 cited
• 2014Reading between the lines: Source code documentation as a conservation strategy for software-based art14 cited
• 2016Where contemporary art and contemporary music preservation practices meet: The case of Salt Itinerary8 cited
• 2021Authenticity and Originality, Objectivity and Subjectivity in Conservation Decision-making – or is it Just a Matter of Taste?7 cited
• 2015Bridging the gap in digital art preservation: interdisciplinary reflections on authenticity, longevity and potential collaborations7 cited
• 2023The Enfolding Object of Conservation: Artwork Identity, Authenticity, and Documentation5 cited
• 2012The Preservation of Complex Objects5 cited
• 2017Framing perspectives: Frames Conservation and Reframing at the National Gallery of Victoria4 cited
• 2021Double Trouble: Replicas in Contemporary Art and Their Impact in Conservation Decision-making4 cited
• 2022Decolonising Museum Conservation Practice: A View from the UK3 cited