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Playing gods: Ovid's Metamorphoses and the politics of fiction
4 references·15 citing·43 second hop
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this work references cited by second hop

References

  • 1976The Fantastic: A Structural Approach to a Literary Genre1,572 cited
  • 1981Myth and Society in Ancient Greece540 cited
  • 2005The Elegiac Cityscape: Propertius and the Meaning of Roman Monuments294 cited
  • 2014Augustan Cleopatras : Female Power and Poetic Authority35 cited

Cited by

  • 2018Exemplary Ethics in Ancient Rome275 cited
  • 2019Cassandra and the Poetics of Prophecy in Greek and Latin Literature142 cited
  • 2023Immersion, Identification, and the Iliad56 cited
  • 2015Chapter 6. The Poet as Prince: Author and Authority Under Augustus53 cited
  • 2013Tragedy in Ovid: Theater, Metatheater, and the Transformation of a Genre50 cited
  • 2012Gods, Caesars and Fate in Aeneid 1 and Metamorphoses 1538 cited
  • 2013Ovid and Hesiod: The Metamorphosis of the Catalogue of Women38 cited
  • 2016The Metamorphoses of the Brain – Neurologisation and its Discontents30 cited
  • 2016Love Elegy and Legal Language in Ovid30 cited
  • 2018"Closing Up" on Animal Metamorphosis: Ovid's Micro-Choreographies in the Metamorphoses and the Corporeal Idioms of Pantomime Dancing22 cited
  • 2021Law and Love in Ovid22 cited

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  • 2021Ovid and the Liberty of Speech in Shakespeare's England15 cited
  • 2021Bodily Fluids in Antiquity15 cited
  • 2025Fear of Flaying11 cited
  • 2013The Pestilential Gaze: From Epidemiology to Erotomania in The Knight’s Tale8 cited