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Cited by

• 2012Vocal performance in the seventeenth century56 cited
• 2012The Cambridge History of Musical Performance46 cited
• 2013The musical sounds of medieval French cities: players, patrons, and politics26 cited
• 2000Biological and Material Cultural Evolution: Are There any True Parallels?18 cited
• 1990The repertory of a Victorian provincial brass band16 cited
• 2012The performer and the composer10 cited
• 2012Instrumental performance in the nineteenth century6 cited
• 2012Vocal performance in the nineteenth century6 cited
• 2018The Cambridge Encyclopedia of Brass Instruments5 cited
• 2012Performance in the ‘long eighteenth century’: an overview5 cited
• 2012Instrumental performance in the twentieth century and beyond5 cited
• 2018Pitch and tuning in Beninese brass bands4 cited
• 2001Toward a pedagogy of extended techniques for horn derived from Vincent Persichetti's Parable for solo horn, opus 1204 cited
• 2012Vocal performance in the Renaissance3 cited