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Écouter le monde mais n’entendre que soi
14 references·1 citing·41 second hop
Écouter le monde mais n’entendre que soi (2013)Écouter le monde mais n’entendre que soiGlobal Pop (2014)Global PopPolitiques de l’authenticité (2008)Politiques de l’authenticitéPermeable Boundaries: Hybridity, Music, and the Reception of Robert Wilson’s I La Galigo (2008)Permeable Boundaries: Hybridi…Colonial Desire (2005)Colonial DesireMusic and the Global Order (2004)Music and the Global OrderHybridity in Cultural Globalization (2002)Hybridity in Cultural Globali…A Sweet Lullaby for World Music (2000)A Sweet Lullaby for World Mus…The Hybrid Metaphor: From Biology to Culture (1999)The Hybrid Metaphor: From Bio…Interpreting world music: a challenge in theory and practice (1997)Interpreting world music: a c…The Aesthetics of the Global Imagination: Reflections on World Music in the 1990s (1996)The Aesthetics of the Global …3. From Schizophonia to Schismogenesis: The Discourses and Practices of World Music and World Beat (1996)3. From Schizophonia to Schis…Paul Simon's Graceland, South Africa, and the Mediation of Musical Meaning (1990)Paul Simon's Graceland, South…Notes on World Beat (1988)Notes on World BeatOf Mimicry and Man: The Ambivalence of Colonial Discourse (1984)Of Mimicry and Man: The Ambiv…Chanson et immigration portugaise en France : une musique du retour ? (2015)Chanson et immigration portug…The Long Revolution (1961)We gotta get out of this place: popular conservatism and postmodern culture (1992)A Sweet Lullaby for World Music (2001)Time, Place, and Metaphor in Musical Experience and Ethnography (2003)The Location of Culture (2012)Listening to the World but Hearing Ourselves: Hybridity and Perceptions of Authenticity in World Music (2014)The Predicament of Culture (1988)Mimesis and alterity: a particular history of the senses (1993)Modernity at Large: Cultural Dimensions of Globalization. (1998)Transidiomatic practices: Language and power in the age of globalization (2005)Soundscapes: Toward a Sounded Anthropology (2010)Anthropology as Cultural Critique: An Experimental Moment in the Human Sciences (1987)2. Old And New Identities, Old And New Ethnicities (1991)Riffs, Repetition, and Theories of Globalization (1999)World music: deterritorializing place and identity (2004)Modernity and Self-Identity: Self and Society in the Late Modern Age (2020)The End of History and the Last Man (1992)Owning the Olympics Narratives of the New China (2008)Owning the Olympics (2008)Unpacking the local turn in peacebuilding: a critical assessment towards an agenda for future research (2015)The Black Atlantic: Modernity and Double Consciousness (1994)Music and the racial imagination (2000)The Anthropology of Globalization: A Reader (2002)Sonic Transculturation, Epistemologies of Purification and the Aural Public Sphere in Latin America (2006)Cultural Uniqueness and Aesthetic Cosmopolitanism (2007)Music and globalization: critical encounters (2012)Sounds like the Mall of America: Programmed Music and the Architectonics of Commercial Space (1997)Signs of Imagination, Identity, and Experience: A Peircian Semiotic Theory for Music (1999)3.2. MARXISM AND LITERATURE (2006)Distinction: A Social Critique of the Judgement of Taste* (2018)Disjuncture and Difference in the Global Cultural Economy (1990)Disjuncture and Difference in the Global Cultural Economy (1990)The Visible Evidence of Cultural Producers (2000)Folklore and the Internet: The Challenge of an Ephemeral Landscape1 (2018)The Concept of Hybridity in Journalism Studies (2021)Hybridity and Its Discontents: Considering Visual Culture in Colonial Spanish America* (2003)Involutionary Momentum: Affective Ecologies and the Sciences of Plant/Insect Encounters (2012)Unsettling race and language: Toward a raciolinguistic perspective (2017)A Different Beast? Televised Election Debates in Parliamentary Democracies (2016)Afropolitan projects: African immigrant identities and solidarities in the United States (2017)Creolization as balancing act in the transoceanic quadrille: Choreogenesis, incorporation, memory, market (2020)
this work references cited by second hop

References

  • 1984Of Mimicry and Man: The Ambivalence of Colonial Discourse1,847 cited
  • 2000A Sweet Lullaby for World Music406 cited
  • 2002Hybridity in Cultural Globalization386 cited
  • 2004Music and the Global Order327 cited
  • 1990Paul Simon's Graceland, South Africa, and the Mediation of Musical Meaning314 cited
  • 1996The Aesthetics of the Global Imagination: Reflections on World Music in the 1990s205 cited
  • 1988Notes on World Beat115 cited
  • 1999The Hybrid Metaphor: From Biology to Culture110 cited
  • 1997Interpreting world music: a challenge in theory and practice100 cited
  • 2005Colonial Desire100 cited
  • 19963. From Schizophonia to Schismogenesis: The Discourses and Practices of World Music and World Beat61 cited
  • 2014Global Pop49 cited
  • 2008Politiques de l’authenticité25 cited
  • 2008Permeable Boundaries: Hybridity, Music, and the Reception of Robert Wilson’s I La Galigo21 cited

Cited by

  • 2015Chanson et immigration portugaise en France : une musique du retour ?3 cited

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