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Remaking Feminism: Or Why Is Postfeminism So Boring?
12 references·8 citing·36 second hop
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this work references cited by second hop

References

  • 2007Postfeminist media culture2,300 cited
  • 2005Female Chauvinist Pigs: Women and the Rise of Raunch Culture802 cited
  • 2007Interrogating Postfeminism495 cited
  • 1997Prime-time feminism: television, media culture, and the women's movement since 1970456 cited
  • 2008What a Girl Wants?: Fantasizing the Reclamation of Self in Postfeminism364 cited
  • 2001Overloaded: Popular Culture and the Future of Feminism356 cited
  • 2010Enlightened sexism: the seductive message that feminism's work is done231 cited
  • 2006Fresh lipstick: redressing fashion and feminism163 cited
  • 2005Sex and the City120 cited
  • 2004Reading Sex and the city58 cited
  • 2006The feminist bestseller: from Sex and the single girl to Sex and the city50 cited
  • 2007Postmodern Chick Flicks: The Return of the Woman's Film27 cited

Cited by

  • 2015Consumption in the city: The turn to interiority in contemporary postfeminist television38 cited
  • 2013The Single Woman's Choice as a Zero-Sum Game35 cited
  • 2018The postfeminist ideology at work: Endorsing gender essentialism and denying feminine devaluation in the case of design work35 cited

Only edges whose both ends are imported exist here. Widen the year window, or show the whole map. Back to the work

  • 2017Invisible golden girls? Post-feminist discourses and female ageing bodies in contemporary television fiction34 cited
  • 2017Afterword: Girls: Notes on Authenticity, Ambivalence and Imperfection26 cited
  • 2013“Obvie, We're the Ladies!” Postfeminism, privilege, and HBO's newestGirls25 cited
  • 2017The best friend, the boyfriend, other girls, hot guys, and creeps: the relational production of self on Tumblr21 cited
  • 2024Status Markers in Popular Music Across Six Countries: A Content Analysis of Gender, Race/Ethnicity, Genre, and Capital in Music Lyrics4 cited