Music theory in the age of Romanticism

Abstract

Part I. Cultural and Philosophical Frameworks: 1. The mechanics of sensation and the construction of the Romantic musical experience Leslie David Blasius 2. F. W. J. Schelling's Philosophie der Kunst: an emergent semiology of music Ian Biddle 3. Fetis and emerging tonal consciousness Thomas Christenden 4. Romantic music under siege in 1848 Sanna Pederson Part II. Hermeneutics, Analysis, Criticism: 5. Second immediacies in the Eroica Brian Hyer 6. Plato - Beethoven: a hermeneutics for nineteenth-century music? Ian Bent 7. Intersubjectivity and analysis: Schumann's essay on the Fantastic Symphony Fred Everett Maus Part III. Rhetoric, Metaphor, Musical Perception: 8. The concept of developpement in the early nineteenth century Peter A. Hoyt 9. A. B. Marx and the gendering of sonata form Scott Burnham 10. ... wie ein rother Faden: on the origins of 'Leitmotif' as critical construct and musical practice Thomas Grey 11. Musical invariance as a cognitive structure: 'multiple meaning' in the early nineteenth century Janna K. Saslaw and James P. Walsh Index.

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