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Musical modernism at the turn of the twenty-first century
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Cited by

  • 2019Enacting Musical Time68 cited
  • 2015Listeners’ Bodies in Music Analysis22 cited
  • 2015Responding to the modernist fragment14 cited
  • 2017Defining Twentieth- and Twenty-First-Century Music14 cited
  • 2016Modernism and Opera11 cited
  • 2016Nigerian values and contemporary popular music: a new look11 cited
  • 2016Luigi Nono: A Composer in Context9 cited
  • 2010Philosophy Recomposed: Stanley Cavell and the Critique of New Music7 cited
  • 2014Fragment, Time and Memory: Unity in Kurtág'sKafka Fragments6 cited
  • 2018Latvian Music History in the Context of 20th-century Modernism and Postmodernism. Some Specific Issues of Local Historiography5 cited
  • 2020James MacMillan Studies4 cited
  • 2014T homas Adès's ‘Freaky, Funky Rave’4 cited
  • 2023Introduction to the Special Issue on Global Musical Modernisms3 cited
  • 2021Living Toys in Thomas Adès’s Living Toys: Transforming the Post-Tonal Topic2 cited
  • 2022FRAGMENTARY AND MODERATE MODERNISM IN LATVIAN MUSIC HISTORY .2 cited

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2013
Witold Lutosławski and the Ethics of Abstraction
2 cited