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Die Idee der absoluten Musik
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  • 1991Aesthetics and subjectivity from Kant to Nietzsche374 cited
  • 1992Listening through Reading: Musical Literacy and the Concert Audience180 cited
  • 1997Idealism and the Aesthetics of Instrumental Music at the Turn of the Nineteenth Century126 cited
  • 2018Aesthetics and subjectivity122 cited
  • 2003Aesthetics and subjectivity: From Kant to Nietzsche111 cited
  • 2011Nineteenth-Century Fortunes of Musical Formalism49 cited
  • 2015Sound, Music and Religion: A Preliminary Cartography of a Transdisciplinary Research Field42 cited
  • 1983Those Images That Yet Fresh Images Beget41 cited
  • 2022Musical Value and Praxical Music Education30 cited
  • 1980History, Criticism, and Beethoven's Ninth Symphony28 cited
  • 2020Music and the Sonorous Sublime in European Culture, 1680–188026 cited
  • 2011Situating opera: period, genre, reception21 cited
  • 2001Music And the rise of aesthetics20 cited
  • 2013Transposing Music: An Intermedial Perspective on German Modernist Poetry20 cited
  • 1992Dies ist kein Pfeifen Musik und Negation in Franz Kafkas Erzählung Josefine, die Sängerin oder Das Volk der Mäuse

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20 cited
  • 2008INTEGRATING MUSIC INTO INTELLECTUAL HISTORY: NINETEENTH-CENTURY ART MUSIC AS A DISCOURSE OF AGENCY AND IDENTITY16 cited