SZodixStudyAcademic Library
ShelvesOpen access
Study · an open academic library·Metadata from OpenAlex (CC0)·Shelves·OpenAlex metadata, de-duplicated
The Games Black Girls Play: Learning the Ropes from Double Dutch to Hip-Hop
0 references·16 citing·48 second hop
The Games Black Girls Play: Learning the Ropes from Double Dutch to Hip-Hop (2006)The Games Black Girls Play: Learning the …Twerk sumn!: theorizing Black girl epistemology in the body (2020)Twerk sumn!: theorizing Black…Loving Music Till It Hurts (2019)Loving Music Till It HurtsBlack Girl Ordinary: Flesh, Carcerality, and the Refusal of Ethnography (2019)Black Girl Ordinary: Flesh, C…From Self-Authorship to Self-Definition: Remapping Theoretical Assumptions Through Black Feminism (2018)From Self-Authorship to Self-…Towards a Model of Positive Youth Development Specific to Girls of Color: Perspectives on Development, Resilience, and Empowerment (2016)Towards a Model of Positive Y…YouTube, Twerking & You: Context Collapse and the Handheld Co-Presence of Black Girls and Miley Cyrus (2015)YouTube, Twerking & You: Cont…The musical analysis of hip-hop (2015)The musical analysis of hip-h…The fifth element: knowledge (2015)The fifth element: knowledgeThe Cambridge Companion to Hip-Hop (2015)The Cambridge Companion to Hi…Lyrics and flow in rap music (2015)Lyrics and flow in rap musicIntertextuality, sampling, and copyright (2015)Intertextuality, sampling, an…Rap on Trial (2014)Rap on TrialA king named Nicki: strategic queerness and the black femmecee (2014)A king named Nicki: strategic…White Teachers in Urban Classrooms (2013)White Teachers in Urban Class…“One Time for My Girls”: African-American Girlhood, Empowerment, and Popular Visual Culture (2012)“One Time for My Girls”: Afri…“Deñuy jàngal seen bopp” (They Teach Themselves): Children’s Music Learning in The Gambia (2010)“Deñuy jàngal seen bopp” (The…A Social Psychologist Discovers Chicago Sociology (1989)The power of black music: interpreting its history from Africa to the United States (1995)Shake it, Baby, Shake it: Consumption and the New Gender Relation in Hip-Hop (2011)Towards an Interdisciplinary Field of Black Girlhood Studies (2017)City Girls, hot girls and the re-imagining of Black women in hip hop and digital spaces (2020)Feminist Theory: From Margin to Center (1985)Imagined Communities. Reflections on the Origin and Spread of Nationalism (1985)Black looks: race and representation (1992)Blackgirl, One Word: Necessary Transgressions in the Name of Imagining Black Girlhood (2016)Envisioning Black Girl Futures (2017)1. Toward a Theory of Culturally Relevant Pedagogy (1995)The Forms of Capital (2002)Distinction: A Social Critique of the Judgement of Taste* (2018)Racial Identity, Racial Discrimination, and Classroom Engagement Outcomes Among Black Girls and Boys in Predominantly Black and Predominantly White School Districts (2019)The Added Value of Latinx and Black Teachers for Latinx and Black Students: Implications for Policy (2019)In A Different Voice: Psychological Theory And Women's Development (1982)In a Different Voice: Psychological Theory and Women's Development. (1983)Black Feminist Thought: Knowledge, Consciousness, and the Politics of Empowerment. (1992)Critical consciousness in late adolescence: Understanding if, how, and why youth act (2020)Critical Positive Youth Development: A Framework for Centering Critical Consciousness (2020)Development of the Short Critical Consciousness Scale (ShoCCS) (2020)The Truly Disadvantaged: The Inner City, The Underclass, and Public Policy. (1988)The Black Atlantic: Modernity and Double Consciousness (1994)Flow (2019)Harmonic, Syntactic, and Motivic Parameters of Phrase in Hip-Hop (2020)Segmentation, Phrasing, and Meter in Hip-Hop Music (2021)Mama's Baby, Papa's Maybe: An American Grammar Book (1987)Unsettling the Coloniality of Being/Power/Truth/Freedom: Towards the Human, After Man, Its Overrepresentation--An Argument (2003)Settler colonialism and the elimination of the native (2006)New Blacks: Language, DNA, and the Construction of the African American/Dominican Boundary of Difference (2020)Fat, Black, and Ugly: The Semiotic Production of Prodigious Femininities (2021)Queer Theory from Elsewhere and the Im/Proper Objects of Queer Anthropology (2022)Local Knowledge: Further Essays In Interpretive Anthropology (1983)Blindness and Insight: Essays in the Rhetoric of Contemporary Criticism (1984)Scenes of Subjection: Terror, Slavery, and Self-Making in Nineteenth- Century America. (1998)Rethinking Social Action through Music (2021)Music, Encounter, Togetherness (2024)When Donald Trump Dropped the Bass: The Weaponization of Dubstep in Internet Trolling Strategies, 2011–2016 (2025)Sister Outsider: Essays and Speeches (1984)Algorithms of Oppression (2018)‘Reclaiming my time’: signifying, reclamation and the activist strategies of Black women’s language (2020)“If you let me play”: girls’ empowerment and transgender exclusion in sports (2022)Where are all the Black girls on TikTok?: Exploring in-group community and (in)visibility through #BlackGirlTikTok (2024)The New Jim Crow: Mass Incarceration in the Age of Colorblindness (2011)Keepin’ It Real (Respectable) in 2008: Barack Obama's Music Strategy and the Formation of Presidential Identity (2016)The sampling continuum: musical aesthetics and ethics in the age of digital production (2017)Good things come in threes: triplet flow in recent hip-hop music (2019)Violence, Sexuality and Youth Linguistic Behaviour: An Exploration of Contemporary Nigerian Youth Music (2020)
this work references cited by second hop

References

No references inside the corpus for this window.

Cited by

  • 2019Black Girl Ordinary: Flesh, Carcerality, and the Refusal of Ethnography178 cited
  • 2013White Teachers in Urban Classrooms160 cited
  • 2019Loving Music Till It Hurts145 cited
  • 2016Towards a Model of Positive Youth Development Specific to Girls of Color: Perspectives on Development, Resilience, and Empowerment117 cited
  • 2015YouTube, Twerking & You: Context Collapse and the Handheld Co-Presence of Black Girls and Miley Cyrus84 cited
  • 2020Twerk sumn!: theorizing Black girl epistemology in the body83 cited
  • 2015The Cambridge Companion to Hip-Hop71 cited
  • 2012“One Time for My Girls”: African-American Girlhood, Empowerment, and Popular Visual Culture65 cited
  • 2015Lyrics and flow in rap music58 cited
  • 2015The musical analysis of hip-hop58 cited
  • 2015The fifth element: knowledge56 cited
  • 2014Rap on Trial49 cited
  • 2014A king named Nicki: strategic queerness and the black femmecee49 cited
  • 2010“Deñuy jàngal seen bopp” (They Teach Themselves): Children’s Music Learning in The Gambia47 cited
  • 2015Intertextuality, sampling, and copyright

Only edges whose both ends are imported exist here. Widen the year window, or show the whole map. Back to the work

44 cited
  • 2018From Self-Authorship to Self-Definition: Remapping Theoretical Assumptions Through Black Feminism37 cited