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The world of Duke Ellington
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The world of Duke Ellington (1970)The world of Duke EllingtonWorking behind the Scenes: Gender, Sexuality, and Collaboration in the Vocal Arrangements of Billy Strayhorn (2014)Working behind the Scenes: Ge…Creativity in Jazz (2014)Creativity in JazzJazzing the Classics: Race, Modernism, and the Career of Arranger Chappie Willet (2012)Jazzing the Classics: Race, M…The Genesis of "Black, Brown and Beige" (2002)The Genesis of "Black, Brown …The use of notated and aural exercises as pedagogical procedures intended to develop harmonic accuracy among beginning jazz improvisers (2001)The use of notated and aural …In Search of Will Vodery (1996)In Search of Will VoderyWorking like a homosexual: camp, capital, cinema (2002)Modern Dance, Negro Dance: Race In Motion (2004)Deadness: Technologies of the Intermundane (2010)Music Is My Mistress (1974)The swing era: the development of jazz, 1930-1945 (1989)"New Music" and the "New Negro": The Background of William Grant Still's "Afro-American Symphony" (1992)Blues People: Negro Music in White America (1963)The power of black music: interpreting its history from Africa to the United States (1995)Music and the racial imagination (2000)Early Jazz: Its Roots and Musical Development (1970)The Music of Black Americans: A History (1974)A Life in Ragtime: A Biography of James Reese Europe. (1996)Current Research Twelve Years after the William Grant Still Centennial (2005)Chappie Willet, Frank Fairfax, and Phil Edwards' Collegians: From West Virginia to Philadelphia (2007)Taking Care of Music: Gender, Arranging, and Collaboration in the Weston-Liston Partnership (2014)Experimental and Quasi-Experimental Designs for Research (1963)Communities of Practice that Contribute to Undergraduate Identity Construction: A Case Study (2018)The Structure of Scientific Revolutions (1963)The Dialogic Imagination: Four Essays (1981)The Location of Culture (2012)
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  • 1996In Search of Will Vodery8 cited
  • 2002The Genesis of "Black, Brown and Beige"7 cited
  • 2001The use of notated and aural exercises as pedagogical procedures intended to develop harmonic accuracy among beginning jazz improvisers7 cited
  • 2014Creativity in Jazz5 cited
  • 2014Working behind the Scenes: Gender, Sexuality, and Collaboration in the Vocal Arrangements of Billy Strayhorn3 cited
  • 2012Jazzing the Classics: Race, Modernism, and the Career of Arranger Chappie Willet3 cited

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