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Violence Against Women in Early Modern Performance: Invisible Acts
7 references·5 citing·34 second hop
Violence Against Women in Early Modern Performance: Invisible Acts (2009)Violence Against Women in Early Modern Pe…:The Early Modern Corpse and Shakespeare's Theatre (2007):The Early Modern Corpse and …The Archive and the Repertoire: Performing Cultural Memory in the Americas (2003)The Archive and the Repertoir…A short history of Western performance space (2003)A short history of Western pe…Disappearing acts: spectacles of gender and nationalism in Argentina's "dirty war" (1997)Disappearing acts: spectacles…:Seizures of the Will in Early Modern English Drama (1997):Seizures of the Will in Earl…:The Imprint of Gender, Authorship, and Publication in the English Renaissance (1996):The Imprint of Gender, Autho…Hard core: power, pleasure, and "the frenzy of the visible" (1990)Hard core: power, pleasure, a…Rape, Massacre, The Lucrece Tradition, and Alarum for London (2017)Rape, Massacre, The Lucrece T…Sung Silence: Complicity, Dramaturgy, and Song in Heywood’s Rape of Lucrece (2016)Sung Silence: Complicity, Dra…Screening early modern drama: beyond Shakespeare (2014)Screening early modern drama:…Theatrical Realism as Feminist Intervention: Katie Mitchell’s 2011 Staging of A Woman Killed with Kindness (2013)Theatrical Realism as Feminis…Re-reading Rape in The Changeling (2011)Re-reading Rape in The Change…Feminism and Theatre (1988)The second wave : a reader in feminist theory (1997)The Stage Life of Props (2003)Against Our Will: Men, Women and Rape (1978)Toward a feminist theory of the state (1990)You just don't understand : women and men in conversation (1992)Material / Blackness: Race and Its Material Reconstructions on the Seventeenth-Century English Stage (2017)Staging Disgust (2024)The Dialogic Imagination: Four Essays (1982)Powers of Horror: An Essay on Abjection (1984)Subculture: The Meaning of Style (1995)Renaissance Things: Objects, Ethics, and Temporalities in Derek Jarman’s Caravaggio (1986) and Modern Nature (1991) (2014)Not Making a Movie: The Livecasting of Shakespeare Stage Productions by The Royal National Theatre and The Royal Shakespeare Company (2016)Film Bodies: Gender, Genre, and Excess (1991)Fifty Key Concepts in Gender Studies (2004)Aggression and Sexual Behavior in Best-Selling Pornography Videos: A Content Analysis Update (2010)"Sumptuously Re-edified": The Reformation of Sacred Space in Titus Andronicus (2009)How Temperance Becomes “Blood Guiltie” in The Faerie Queene (2009)Shakespeare and impure aesthetics (2010)9. The Generation Of Postmemory (2008)The Indigenous State: Race, Politics, and Performance in Plurinational Bolivia (2017)Exemplary Ethics in Ancient Rome (2018)The Wrong Question: Thinking through Virginity (2002)Service and dependency in Shakespeare's plays (2006)Community, Credit, and the Prodigal Husband on the Early Modern Stage (2013)Encountering Latin American and Caribbean Feminisms (2003)Globalization and Postcolonial States (2006)The Madres de Plaza de Mayo and Three Decades of Human Rights' Activism: Embeddedness, Emotions, and Social Movements (2006)The Cambridge History of the Book in Britain (2002)Literature and London (2003)Religion and/as Media (2005)The Cambridge Introduction to Theatre Studies (2008)The Cambridge Introduction to Scenography (2009)Black Box, White Cube, Gray Zone: Dance Exhibitions and Audience Attention (2018)
this work references cited by second hop

References

  • 2003The Archive and the Repertoire: Performing Cultural Memory in the Americas2,542 cited
  • 1990Hard core: power, pleasure, and "the frenzy of the visible"1,584 cited
  • 1997Disappearing acts: spectacles of gender and nationalism in Argentina's "dirty war"616 cited
  • 1996:The Imprint of Gender, Authorship, and Publication in the English Renaissance239 cited
  • 2003A short history of Western performance space190 cited
  • 1997:Seizures of the Will in Early Modern English Drama36 cited
  • 2007:The Early Modern Corpse and Shakespeare's Theatre27 cited

Cited by

  • 2014Screening early modern drama: beyond Shakespeare26 cited
  • 2013Theatrical Realism as Feminist Intervention: Katie Mitchell’s 2011 Staging of A Woman Killed with Kindness19 cited
  • 2011Re-reading Rape in The Changeling16 cited
  • 2016Sung Silence: Complicity, Dramaturgy, and Song in Heywood’s Rape of Lucrece12 cited
  • 2017Rape, Massacre, The Lucrece Tradition, and Alarum for London3 cited

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