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Cold Lining and Mist Lining: insights and possibilities of adaptation to the mediterranean climate
6 references·1 citing·20 second hop
Cold Lining and Mist Lining: insights and possibilities of adaptation to the mediterranean climate (2013)Cold Lining and Mist Lining: insights and…The structural conservation of canvas paintings: changes in attitude and practice since the early 1970s (2002)The structural conservation o…The Glass Transition of Materials Used in Conservation (1989)The Glass Transition of Mater…Material for Conservation (1988)Material for ConservationCriteria for Treatment: Reversibility (1987)Criteria for Treatment: Rever…Lining without heat or moisture (1985)Lining without heat or moistu…Weave Interference in Vacuum Lining of Pictures (1966)Weave Interference in Vacuum …Aiming at reproducibility in lining canvas paintings (2019)Aiming at reproducibility in …Relative Humidity and the Stress/Strain Response of Canvas Paintings: Uniaxial Measurements of Naturally Aged Samples (1988)Mechanical Behavior of Paintings Subjected to Changes in Temperature and Relative Humidity (1991)Adhesive testing at the Canadian Conservation Institute-an evaluation of selected poly(vinyl acetate) and acrylic adhesives (1996)About the choice of tension for canvas paintings (2009)Temperature-related degradation and colour changes of historic paintings containing vivianite (2014)Nanomaterials for Combined Stabilisation and Deacidification of Cellulosic Materials—The Case of Iron-Tannate Dyed Cotton (2020)The Quantitative Testing and Comparisons of Peel and Lap/Shear for Lascaux 360 H.V. and Beva 371 (1985)Embedding Paint Cross-Section Samples in Polyester Resins: Problems and Solutions (1994)Analysis of facing materials used as remoistenable temporary supports for facing on canvas paintings (2019)Investigation of Paint Media by Differential Scanning Calorimetry (DSC) (1992)Size-exclusion chromatography and differential scanning calorimetry of low molecular weight resins used as varnishes for paintings (2004)Automated characterization of varnishes photo-degradation using portable T-controlled Raman spectroscopy (2016)TESTING ADHESIVES FOR THE CONSOLIDATION OF PAINTINGS (1972)Restraint Without Stress, History and Prospects: A Literature Review of Paintings as Structures (1984)Distorted oil paintings and wax-resin impregnation – A kinetic study of moisture sorption and tension in canvas (2019)Consolidation of Archaeological Bone: A Conservation Perspective (1994)Determining Minimum Intervention in the Preservation of Heritage Buildings (2019)Biologically Derived Gels for the Cleaning of Historical and Artistic Metal Heritage (2021)Quantitative Study: The Effects of Sized Materials and “Drying Time” in the Use of Lascaux 360 Hv as a Lining Adhesive (1987)A Study of Acrylic Dispersions Used in the Treatment of Paintings (1989)
this work references cited by second hop

References

  • 1987Criteria for Treatment: Reversibility101 cited
  • 2002The structural conservation of canvas paintings: changes in attitude and practice since the early 1970s51 cited
  • 1989The Glass Transition of Materials Used in Conservation36 cited
  • 1966Weave Interference in Vacuum Lining of Pictures15 cited
  • 1988Material for Conservation14 cited
  • 1985Lining without heat or moisture12 cited

Cited by

  • 2019Aiming at reproducibility in lining canvas paintings3 cited

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