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Listening to Reason
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  • 2017Clara Schumann's Interiorities and the Cutting Edge of Popular Pianism31 cited
  • 2010Orchestra Audience Development and the Aesthetics of “Customer Comfort”30 cited
  • 2006Interdisciplinary Opera Studies23 cited
  • 2013Introduction: music, the city and the modern experience19 cited
  • 2008INTEGRATING MUSIC INTO INTELLECTUAL HISTORY: NINETEENTH-CENTURY ART MUSIC AS A DISCOURSE OF AGENCY AND IDENTITY16 cited
  • 2019The First Movement of Mahler’s Tenth Symphony and the “Burden” of Romantic Form15 cited
  • 2017Varieties of Musical Irony: From Mozart to Mahler13 cited
  • 2006The Politics and Aesthetics of Operatic Modernism11 cited
  • 2006Aidaand Nine Readings of Empire7 cited
  • 2010Analysing musical culture in nineteenth-century Europe: towards a musical turn?6 cited
  • 2014Music Along the Rapidan5 cited
  • 2005“Oper im Kirchengewande”? Verdi's Requiem and the Anxieties of the Young German Empire3 cited
  • 2007The Sense of Touch in 'Don Giovanni'3 cited
  • 2017Landscape—Rhythm—Memory: Contexts for Mapping the Music of George Enescu3 cited
  • 2016THE CONDITION OF MUSIC IN VICTORIAN SCHOLARSHIP

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2 cited