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From Folk to Popular and Back: Musical Feedback between Studio Recordings and Festival Dance-Songs in Uttarakhand, North India
16 references·3 citing·33 second hop
From Folk to Popular and Back: Musical Feedback between Studio Recordings and Festival Dance-Songs in Uttarakhand, North India (2011)From Folk to Popular and Back: Musical Fe…Dual Framing: Locating Authenticities in the Music Videos of Himalayan Possession Rituals (2010)Dual Framing: Locating Authen…Sound of Africa! Making Music Zulu in a South African Studio (2003)Sound of Africa! Making Music…Nationalists, cosmopolitans, and popular music in Zimbabwe (2001)Nationalists, cosmopolitans, …A Sweet Lullaby for World Music (2000)A Sweet Lullaby for World Mus…Sound Engineering in a Tamil Village: Playing Audio Cassettes as Devotional Performance (1999)Sound Engineering in a Tamil …"Roots Explosion": Indigenization and Cosmopolitanism in Contemporary Surinamese Popular Music (1999)"Roots Explosion": Indigeniza…The Aesthetics of the Global Imagination: Reflections on World Music in the 1990s (1996)The Aesthetics of the Global …Pygmy POP. A Genealogy of Schizophonic Mimesis (1996)Pygmy POP. A Genealogy of Sch…Mountain Goddess: Gender and Politics in a Himalayan Pilgrimage (1995)Mountain Goddess: Gender and …Cassette Culture: Popular Music and Technology in North India (1995)Cassette Culture: Popular Mus…All that glitters: country music in America (1993)All that glitters: country mu…Brass Bands: Tradition, Change, and the Mass Media in Indian Wedding Music (1990)Brass Bands: Tradition, Chang…Music Mediated and Live in Japan (1984)Music Mediated and Live in Ja…The Modernity of Tradition: Political Development in India (1968)The Modernity of Tradition: P…Village India: Studies in the Little Community. (1956)Village India: Studies in the…The Cultural Role of Cities (1954)The Cultural Role of CitiesOral Traditional Music in Digital Networks (2025)Oral Traditional Music in Dig…Changing the sound of nationalism in Nepal:Ḍeuḍāsongs and the far western region (2012)Changing the sound of nationa…Articulating Regionalism through Popular Music: The Case ofNauchami Narayanain the Uttarakhand Himalayas (2012)Articulating Regionalism thro…The Predicament of Culture (1988)Mimesis and alterity: a particular history of the senses (1993)Modernity at Large: Cultural Dimensions of Globalization. (1998)The Visible Evidence of Cultural Producers (2000)Transidiomatic practices: Language and power in the age of globalization (2005)Soundscapes: Toward a Sounded Anthropology (2010)Anthropology as Cultural Critique: An Experimental Moment in the Human Sciences (1987)2. Old And New Identities, Old And New Ethnicities (1991)Riffs, Repetition, and Theories of Globalization (1999)World music: deterritorializing place and identity (2004)Modernity and Self-Identity: Self and Society in the Late Modern Age (2020)On Longing: Narratives of the Miniature, the Gigantic, the Souvenir, the Collection (1986)The New Grove dictionary of music and musicians (2001)The Hall of Mirrors: Orientalism, Anthropology, and the Other (1998)“The goat that died for family”: Animal sacrifice and interspecies kinship in India's Central Himalayas (2015)Odor and Order (2017)Anthropology and Mass Media (1993)The Production of Culture Perspective (2004)The Anthropology of Texts, Persons and Publics (2007)Wired for sound: engineering and technologies in sonic cultures (2005)Dub: soundscapes and shattered songs in Jamaican reggae (2007)Music and globalization: critical encounters (2012)Anthropological Studies of Cities (1976)The Process of Urbanization in Africa (From the Origins to the Beginning of Independence) (1991)Supply‐Side Sushi: Commodity, Market, and the Global City (2001)Idioms of Subordination and Styles of Protest among Christian and Hindu Harijan Castes in Tamil Nadu (1994)Indian and English Children's Understanding of the Distinction between Real and Apparent Emotion (1994)MULTIPLE MODERNITIES: Christianity, Islam, and Hinduism in a Globalizing Age (1998)Modernization Theory and the Comparative Study of National Societies: A Critical Perspective (1973)A Preliminary Model of Particularistic Ties in Chinese political Alliances:Kan-ch'ingandKuan-hsiin a Rural Taiwanese Township (1979)Transformations in New Immigrant Religions and Their Global Implications (2001)Nationalism and Latin American Music: Selected Case Studies and Theoretical Considerations (2003)Coloniality of Power in Postcolonial Africa. Myths of Decolonization (2013)
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References

  • 2000A Sweet Lullaby for World Music406 cited
  • 1968The Modernity of Tradition: Political Development in India345 cited
  • 1954The Cultural Role of Cities290 cited
  • 1996Pygmy POP. A Genealogy of Schizophonic Mimesis283 cited
  • 2001Nationalists, cosmopolitans, and popular music in Zimbabwe212 cited
  • 1995Cassette Culture: Popular Music and Technology in North India209 cited
  • 1996The Aesthetics of the Global Imagination: Reflections on World Music in the 1990s205 cited
  • 2003Sound of Africa! Making Music Zulu in a South African Studio186 cited
  • 1995Mountain Goddess: Gender and Politics in a Himalayan Pilgrimage152 cited
  • 1956Village India: Studies in the Little Community.94 cited
  • 1993All that glitters: country music in America64 cited
  • 1999"Roots Explosion": Indigenization and Cosmopolitanism in Contemporary Surinamese Popular Music52 cited
  • 1990Brass Bands: Tradition, Change, and the Mass Media in Indian Wedding Music41 cited
  • 1984Music Mediated and Live in Japan37 cited
  • 1999Sound Engineering in a Tamil Village: Playing Audio Cassettes as Devotional Performance37 cited

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2010
Dual Framing: Locating Authenticities in the Music Videos of Himalayan Possession Rituals
35 cited

Cited by

  • 2012Articulating Regionalism through Popular Music: The Case ofNauchami Narayanain the Uttarakhand Himalayas10 cited
  • 2025Oral Traditional Music in Digital Networks4 cited
  • 2012Changing the sound of nationalism in Nepal:Ḍeuḍāsongs and the far western region4 cited