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Film: Genres and Genre Theory
16 references·1 citing·27 second hop
Film: Genres and Genre Theory (2015)Film: Genres and Genre TheoryNarration in the Fiction Film (2013)Narration in the Fiction FilmMoving viewers: American film and the spectator's experience (2009)Moving viewers: American film…Passionate views: film, cognition, and emotion (1999)Passionate views: film, cogni…Moving pictures: a new theory of film genres, feelings, and cognition (1998)Moving pictures: a new theory…Rhetoric and Representation in Nonfiction film (1997)Rhetoric and Representation i…Engaging characters: fiction, emotion, and the cinema (1996)Engaging characters: fiction,…Men, women, and chain saws: gender in the modern horror film (1992)Men, women, and chain saws: g…The Philosophy of Horror or Paradoxes of the Heart. (1991)The Philosophy of Horror or P…Home is where the heart is: studies in melodrama and the woman's film (1988)Home is where the heart is: s…The Classical Hollywood Cinema: Film Style & Mode of Production to 1960 (1986)The Classical Hollywood Cinem…Narration in the Fiction Film (1986)Narration in the Fiction FilmHollywood Genres: Formulas, Filmmaking, and the Studio System (1982)Hollywood Genres: Formulas, F…Visual Pleasure and Narrative Cinema (1975)Visual Pleasure and Narrative…Documentary: A History of the Non-Fiction Film (1975)Documentary: A History of the…Documentary: A History of the Non-Fiction Film (1974)Documentary: A History of the…Theory of Literature (1948)Theory of LiteratureQuantification of Gender Representation Bias in Commercial Films based on Image Analysis (2019)Quantification of Gender Repr…Fictionality and Perceived Realism in Experiencing Stories: A Model of Narrative Comprehension and Engagement (2008)The Cambridge Introduction to Narrative (2008)The Cambridge Introduction to Narrative (2020)Film Bodies: Gender, Genre, and Excess (1991)Fallen Women, Rising Stars, New Horizons: Shanghai Silent Film As Vernacular Modernism (2000)The Mass Production of the Senses: Classical Cinema as Vernacular Modernism (2009)Fear in the News: A Discourse of Control (1999)Beyond the Rhetoric of Student Voice: new departures or new constraints in the transformation of 21st century schooling? (2001)Media and Violence: Gendering the Debates (2005)Some Like It Bad: Testing a Model for Perceiving and Experiencing Fictional Characters (2005)WILL THE REAL EMPATHY PLEASE STAND UP? A CASE FOR A NARROW CONCEPTUALIZATION (2011)THE RESOURCE-BASED VIEW OF THE FIRM IN TWO ENVIRONMENTS: THE HOLLYWOOD FILM STUDIOS FROM 1936 TO 1965. (1996)Entrepreneurship, Innovation and Industrial Development: Geography and the Creative Field Revisited (2006)A Cultural Approach to Television Genre Theory (2001)Simulating Minds (2006)Transparency and Self-Knowledge (2018)Genre as social action (1984)The Social Construction of Intertextuality in Classroom Reading and Writing Lessons (1993)Foregrounding, defamiliarization, and affect: Response to literary stories (1994)Objectification Theory: Toward Understanding Women's Lived Experiences and Mental Health Risks (1997)Post‐feminism and popular culture (2004)Understanding Popular Culture (2006)Genre and game studies: Toward a critical approach to video game genres (2006)Jacks of All Trades and Masters of None: Audiences' Reactions to Spanning Genres in Feature Film Production (2006)Multiple Category Memberships in Markets: An Integrative Theory and Two Empirical Tests (2009)Narrative Complexity in Contemporary American Television (2006)The Routledge Handbook of Multimodal Analysis (2010)
this work references cited by second hop

References

  • 1975Visual Pleasure and Narrative Cinema8,669 cited
  • 1986Narration in the Fiction Film1,483 cited
  • 1948Theory of Literature1,185 cited
  • 2013Narration in the Fiction Film1,100 cited
  • 1992Men, women, and chain saws: gender in the modern horror film1,065 cited
  • 1996Engaging characters: fiction, emotion, and the cinema766 cited
  • 1988Home is where the heart is: studies in melodrama and the woman's film719 cited
  • 1986The Classical Hollywood Cinema: Film Style & Mode of Production to 1960665 cited
  • 1991The Philosophy of Horror or Paradoxes of the Heart.641 cited
  • 1982Hollywood Genres: Formulas, Filmmaking, and the Studio System510 cited
  • 1998Moving pictures: a new theory of film genres, feelings, and cognition381 cited
  • 1999Passionate views: film, cognition, and emotion362 cited
  • 1975Documentary: A History of the Non-Fiction Film352 cited
  • 2009Moving viewers: American film and the spectator's experience347 cited
  • 1997Rhetoric and Representation in Nonfiction film331 cited
  • 1974Documentary: A History of the Non-Fiction Film

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323 cited

Cited by

  • 2019Quantification of Gender Representation Bias in Commercial Films based on Image Analysis22 cited