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Girl groups, girl culture: popular music and identity in the 1960s
0 references·16 citing·43 second hop
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Cited by

  • 2019Making Voices39 cited
  • 2014Music, Power, and Practice37 cited
  • 2016The Lollipop Girl's voice: Respectability, migration, and Millie Small's “My Boy Lollipop”26 cited
  • 2011Listening for Willie Mae “Big Mama” Thornton’s Voice: The Sound of Race and Gender Transgressions in Rock and Roll25 cited
  • 2012Are we not new wave?: modern pop at the turn of the 1980s22 cited
  • 2010Feeling Free and Female Sexuality: The Aesthetics of Joni Mitchell11 cited
  • 2017The Politics of Voice in Tween Girls’ Music Criticism11 cited
  • 2018Rock-and-Roll Kinderwhore: Gender, Genre, and “Girlville” in Liz Phair’sGirly Sound(1991)10 cited
  • 2017From GI Sweethearts to Lock and Lollers: The Kim Sisters' Performances in the Early Cold War United States, 1959–6710 cited
  • 2023Negotiating girlhood in rock music: Nandi Bushell, prodigy discourse and adult mentor-fans9 cited
  • 2015Naturalizing Male Authority and the Power of the Producer6 cited
  • 2022Sartorial Fandom5 cited
  • 2012Bouffants, Beehives, and Breaking Gender Norms: Rethinking “Girl Group” Music of the 1950s and 1960s5 cited
  • 2016Crying, Waiting, Hoping: The Beatles, Girl Culture, and the Melodramatic Mode4 cited

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  • 2021Japanese women singer-songwriters of the 1970s: female agency, musical impact and social change4 cited
  • 2016“Something Inside So Strong”: The Flirtations and the Queer Politics of A Cappella4 cited