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Medieval Autographies: The “I” of the Text
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Medieval Autographies: The “I” of the Text (2014)Medieval Autographies: The “I” of the TextSong in Reverse: The Medieval Prosimetrum and Lyric Theory (2018)Song in Reverse: The Medieval…The Prioress's Prologue: Dante, Liturgy, and Ineffability (2017)The Prioress's Prologue: Dant…Why Medieval Literature Does Not Need the Concept of Social Minds: Exemplarity and Collective Experience (2015)Why Medieval Literature Does …What is a Narrator?: Narrator Theory and Medieval Narratives (2015)What is a Narrator?: Narrator…Medieval European Autobiography (2014)Medieval European Autobiograp…Image-Music-Text (1977)Narrative Discourse: An Essay in Method (1980)The Rhetoric of Fiction (1983)Of Poets and Prologues (2018)The Riverside Chaucer (1986)TOWARDS A ‘NATURAL’ NARRATOLOGY (1996)The Book of Memory (2008)HOMERIC MOTIVATION AND MODERN NARRATOLOGY: THE CASE OF PENELOPE (2018)Lessons from the Dangers of Narrative Project: Toward a Story-Critical Narratology* (2018)Le pacte autobiographique (1977)The forms of autobiography: Episodes in the history of a literary genre (1980)Medieval Autographies (2012)Praying with Anselm at Admont: A Meditation on Practice (2006)Imagination, Meditation, and Cognition in the Middle Ages (2011)The Cambridge Companion to Christian Mysticism (2012)The Presence of Rome in Medieval and Early Modern Britain (2020)European Literature and the Latin Middle Ages (1956)Theory of the Lyric (2015)Afterword: The Song Pact – How the Novel Sings (2024)Song in the Novel (2024)
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  • 2015What is a Narrator?: Narrator Theory and Medieval Narratives21 cited
  • 2018Song in Reverse: The Medieval Prosimetrum and Lyric Theory16 cited
  • 2015Why Medieval Literature Does Not Need the Concept of Social Minds: Exemplarity and Collective Experience15 cited
  • 2017The Prioress's Prologue: Dante, Liturgy, and Ineffability13 cited
  • 2014Medieval European Autobiography6 cited

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