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Chapter 5 Hyperspectral Imaging: A New Technique for the Non-Invasive Study of Artworks

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2014Remote spectral imaging with simultaneous extraction of 3D topography for historical wall paintings95 cited
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2020Understanding multispectral imaging of cultural heritage: Determining best practice in MSI analysis of historical artefacts68 cited
2020Reflectance imaging spectroscopy in heritage science62 cited
2015Non-invasive identification of traditional red lake pigments in fourteenth to sixteenth centuries paintings through the use of hyperspectral imaging technique50 cited
2019Hyperspectral imaging for artworks investigation

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43 cited

2015Panoramic, Macro and Micro Multispectral Imaging: An Affordable System for Mapping Pigments on Artworks41 cited

2012Multispectral images of ostraca: acquisition and analysis37 cited

2018Spectral Imaging and Archival Data in AnalysingMadonna of the RabbitPaintings by Manet and Titian35 cited

2021Nondestructive Evaluation of Heritage Object Coatings with Four Hyperspectral Imaging Systems34 cited

2017Pictorial materials database: 1200 combinations of pigments, dyes, binders and varnishes designed as a tool for heritage science and conservation32 cited

2021Surface and Interface Investigation of a 15th Century Wall Painting Using Multispectral Imaging and Pulse-Compression Infrared Thermography29 cited

2017Assessment of multispectral and hyperspectral imaging systems for digitisation of a Russian icon28 cited

2018A methodological approach to study the stability of selected watercolours for painting reintegration, through reflectance spectrophotometry, Fourier transform infrared spectroscopy and hyperspectral imaging28 cited

2018Nonlinear Unmixing of Hyperspectral Datasets for the Study of Painted Works of Art27 cited

2019Hyperspectral Imaging as Powerful Technique for Investigating the Stability of Painting Samples27 cited