SZodixStudyAcademic Library
ShelvesOpen access
Study · an open academic library·Metadata from OpenAlex (CC0)·Shelves·OpenAlex metadata, de-duplicated
Monteverdi's unruly women: the power of song in early modern Italy
0 references·16 citing·36 second hop
Monteverdi's unruly women: the power of song in early modern Italy (2005)Monteverdi's unruly women: the power of s…Reimagine to Revitalise (2021)Reimagine to RevitaliseWomen and Music in Sixteenth-Century Ferrara (2018)Women and Music in Sixteenth-…Colloquy: Sexual Violence in Opera: Scholarship, Pedagogy, and Production as Resistance (2018)Colloquy: Sexual Violence in …The Bizarre Muse: The Literary Persona of Margherita Costa (2017)The Bizarre Muse: The Literar…Race, empire, and early music (2014)Race, empire, and early music'Se vedesti qui dentro': Monteverdi's 'O Mirtillo, Mirtillo anima mia' and Artusi's Offence (2013)'Se vedesti qui dentro': Mont…Voices and singers (2012)Voices and singersThe operatic event: opera houses and opera audiences (2012)The operatic event: opera hou…The Cambridge Companion to Opera Studies (2012)The Cambridge Companion to Op…Opera and the technologies of theatrical production (2012)Opera and the technologies of…Opera and modes of theatrical production (2012)Opera and modes of theatrical…Opera and gender studies (2012)Opera and gender studiesIntroduction: opera studies today (2012)Introduction: opera studies t…Genre and poetics (2012)Genre and poetics‘Too much music’: the media of opera (2012)‘Too much music’: the media o…The Castrato Meets the Cyborg (2011)The Castrato Meets the CyborgImagined Communities: Reflections on the Origin and Spread of Nationalism (1984)The structural transformation of the public sphere: an inquiry into a category of bourgeois society (1990)Culture and Imperialism. (1994)Foreign Opera at the London Playhouses: From Mozart to Bellini (2015)Realism Redux: Staging ‘Billy Budd’ in the Age of Television (2019)The Cambridge Companion to Wagner's Der Ring des Nibelungen (2020)Source Readings in Music History (1950)Le Istitutioni Harmoniche (1967):Shakespearean Negotiations: The Circulation of Social Energy in Renaissance England (1989)Monteverdi's Voices (2024)Playing in the Dark: Whiteness and the Literary Imagination. (1993)Local Histories/Global Designs: Coloniality, Subaltern Knowledges, and Border Thinking (2003)Gender and Sexuality in Music (2017)The Origins of Totalitarianism (2018)Music in the Early Colonial World (2019)Nations and nationalism since 1780 programme, myth, reality (1995)Fiction in the Archives: Pardon Tales and their Tellers in Sixteenth-Century France (1989)From Humanism to the Humanities: Education and the Liberal Arts in Fifteenth- and Sixteenth-Century Europe (1989)Voci pari Motets and Convent Polyphony in the 1540s: The materna lingua Complex (2017)A General History of Music, from the Earliest Ages to the Present Period (2018)Echoes of Ariadne in the Musical Reception of Ariosto and Tasso (2020)Renaissance Polyphony (2020)Against Our Will: Men, Women and Rape (1978)Ain't I a Woman: Black Women and Feminism, by Bell Hooks (1983)Why Are All The Black Kids Sitting Together In The Cafeteria?: And Other Conversations About Race (1999)The Rhetoric of Seduction; or Materiality under Erasure (2020)The “operatic of opera” in music history pedagogy – exploring the temporal narrativization of opera (2021)Languages of Art (1976)Improvisation: Its Nature And Practice In Music (1980)The New Grove dictionary of music and musicians (2001)A Philosophy of Playing Drum Kit (2022)Shared Listenings (2023)Repetition and Performance in the Recording Studio (2024)Fifty Shades of Bluebeard? Dukas'sAriane et Barbe-Bleuein the Twenty-First Century (2018)Fake Streams, Listening Bots, and Click Farms: Counterfeiting Attention in the Streaming Music Economy (2020)Democratizing opera. Accessibility to opera in the digital age among Swedish-speaking Finns (2022)
this work references cited by second hop

References

No references inside the corpus for this window.

Cited by

  • 2012The Cambridge Companion to Opera Studies67 cited
  • 2018Women and Music in Sixteenth-Century Ferrara57 cited
  • 2018Colloquy: Sexual Violence in Opera: Scholarship, Pedagogy, and Production as Resistance42 cited
  • 2014Race, empire, and early music35 cited
  • 2013'Se vedesti qui dentro': Monteverdi's 'O Mirtillo, Mirtillo anima mia' and Artusi's Offence17 cited
  • 2021Reimagine to Revitalise17 cited
  • 2012‘Too much music’: the media of opera16 cited
  • 2012The operatic event: opera houses and opera audiences13 cited
  • 2012Opera and modes of theatrical production12 cited
  • 2012Opera and the technologies of theatrical production12 cited
  • 2011The Castrato Meets the Cyborg12 cited
  • 2012Introduction: opera studies today11 cited
  • 2012Genre and poetics8 cited
  • 2017The Bizarre Muse: The Literary Persona of Margherita Costa7 cited
  • 2012Voices and singers6 cited
  • 2012Opera and gender studies5 cited

Only edges whose both ends are imported exist here. Widen the year window, or show the whole map. Back to the work