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The guitar and its music : from the Renaissance to the classical era
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The guitar and its music : from the Renaissance to the classical era (2002)The guitar and its music : from the Renai…Performance and Autoethnography in Historical Ethnomusicology: Differentiating the Viola and the Violão (2016)Performance and Autoethnograp…Osservazioni musicali sul cancionero Corsini 625, con una proposta sul suo compilatore (2016)Osservazioni musicali sul can…Towards Overcoming the Guitar's Color Research Gap (2014)Towards Overcoming the Guitar…The Australian School of Lutherie: Origins and Achievements (2014)The Australian School of Luth…The Arrangements of Roland Dyens and Sérgio Assad: Innovations in Adapting Jazz Standards and Jazz-influenced Popular Works to the Solo Classical Guitar (2009)The Arrangements of Roland Dy…Santiago de Murcia's Cifras Selectas de Guitarra (1722): a new source for the Baroque guitar (2007)Santiago de Murcia's Cifras S…Music in new worlds (2005)Music in new worldsInnovation, The Basis of Cultural Change (1954)Studying Popular Music (1990)Dangerous Crossroads: Popular Music, Postmodernism and the Poetics of Place. (1996)The early music revival: a history (1989)Dance And Instrumental Diferencias In Spain During The 17th And Early 18th Centuries (1993)Songs of Mortals, Dialogues of the Gods: Music and Theatre in Seventeenth-Century Spain (1995)¿Decadencia o progreso?: La música del siglo XVIII y el nacionalismo decimonónico (2010)THE CIRCULATION OF INSTRUMENTAL MUSIC BETWEEN OLD AND NEW WORLDS: NEW EVIDENCE FROM SOURCES PRESERVED IN MEXICO CITY AND LIMA (2015)New sounds for woodwind (1967)Dictionary of Contemporary Music (1974)The Cambridge Companion to the Guitar (2003)Secular Spanish Solo Song in Non-Spanish Sources, 1599-1640 (1977)Ducal patronage of music in Mantua, 1587--1627: An archival study (1989)Napoli gentile : la letteratura in "lingua napoletana" nella cultura barocca, 1596-1632 (1994)Handbook of qualitative research (1999)The Ethnographic I: A Methodological Novel about Autoethnography (2003)Autoethnography: An Overview (2010)Postcoloniality and the Artifice of History: Who Speaks for "Indian" Pasts? (1992):The Darker Side of the Renaissance: Literacy, Territoriality, and Colonization (1996)The Darker Side of the Renaissance: Literacy, Territoriality, and Colonization (1997)Of Two Arias and Nine Ragas: Analysing Monteverdi through a Karnatik Lens (2022)Becoming Yesterday: Changes in Music, the Music Industry and Musicians' Careers in 1960s Melbourne (2010)
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Cited by

  • 2005Music in new worlds11 cited
  • 2007Santiago de Murcia's Cifras Selectas de Guitarra (1722): a new source for the Baroque guitar8 cited
  • 2016Osservazioni musicali sul cancionero Corsini 625, con una proposta sul suo compilatore3 cited
  • 2014The Australian School of Lutherie: Origins and Achievements3 cited
  • 2009The Arrangements of Roland Dyens and Sérgio Assad: Innovations in Adapting Jazz Standards and Jazz-influenced Popular Works to the Solo Classical Guitar3 cited
  • 2014Towards Overcoming the Guitar's Color Research Gap2 cited
  • 2016Performance and Autoethnography in Historical Ethnomusicology: Differentiating the Viola and the Violão2 cited

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