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Art matters : how the culture wars changed America
0 references·11 citing·42 second hop
Art matters : how the culture wars changed America (1999)Art matters : how the culture wars change…Social protest photography and public history: “Whose streets? Our streets!”: New York City, 1980–2000 (2021)Social protest photography an…Funding bodies (2021)Funding bodiesMarketing the Entrepreneurial Artist in the Innovation Age: Aesthetic Labor, Artistic Subjectivity, and the Creative Industries (2014)Marketing the Entrepreneurial…The Legacy of Assotto Saint: Tracing Transnational History from the Gay Haitian Diaspora (2013)The Legacy of Assotto Saint: …Education Art (2013)Education ArtArt in public: politics, economics, and a democratic culture (2011)Art in public: politics, econ…Theorizing the Queer Museum (2008)Theorizing the Queer MuseumPerforming Arts-Based Education Research: An Epic Drama of Practice, Precursors Problems and Possibilities (2006)Performing Arts-Based Educati…A Question of Morality: Artists' Values and Public Funding for the Arts (2005)A Question of Morality: Artis…The Social Construction of an Art Field: How Audience Informed the Institutionalization of Performance Art (2004)The Social Construction of an…The Institutionalization of an American Avant-Garde: Performance Art as Democratic Culture, 1970–2000 (2003)The Institutionalization of a…The Iron Cage Revisited: Institutional Isomorphism and Collective Rationality in Organizational Fields (1983)The Field of Cultural Production: Essays on Art and Literature (1996)The iron cage revisited institutional isomorphism and collective rationality in organizational fields (2004)Ethical Behavior of the Classical Music Audience (2014)Silencing the past: Power and the Production of History (1996)Disidentifications: Queers Of Color And The Performance Of Politics (1999)Ayiti pa lakay ankò: Assotto Saint’s Search for Home (2016)‘Bitch out of hell’: the queer urban marronage of Assotto Saint (2017)Terrorist Assemblages: Homonationalism in Queer Times (2017)Discipline and Punish: The Birth of the Prison (1978)Diffusion of innovations. (2003)A Brief History of Neoliberalism (2005)Employment Management Work: A Case Study and Theoretical Framework (2017)Entrepreneurship in the Creative Industries (2017)Identity crisis of artists during the Covid-19 pandemic and shift towards entrepreneurship (2021)Issue Evolution (1989)The Rise of the Creative Class (2002)The rise of the creative class: and how it's transforming work, leisure, community and everyday life (2002)Support for Earmarked Public Spending on Culture: Evidence from a Referendum in Metropolitan Detroit (2005)Does Morality Policy Exist? Testing a Basic Assumption (2008)Are Debates about “Morality Policy” Really about Morality? Framing Opposition to Gay and Lesbian Rights (2011)The History of Sexuality (1976)Epistemology of the Closet (1990)Publics and Counterpublics (2002)Postmodernism, or, The cultural logic of late capitalism (1991)Artistic Prosumption (2011)“Organizing Creativity: Enabling Creative Output, Process, and Organizing Practices” (2012)Triple Entendre: Furniture Music, Muzak, Muzak-Plus (2013)The Death and Life of Great American Cities (1962)A Ladder Of Citizen Participation (1969)Philosophy and the Mirror of Nature (1980)Situated Knowledges: The Science Question in Feminism and the Privilege of Partial Perspective (1988)Provincializing Europe: Postcolonial Thought and Historical Difference (2001)The Postmodern Condition: A Report on Knowledge (1984)The structural transformation of the public sphere: an inquiry into a category of bourgeois society (1990)Bowling alone: the collapse and revival of American community (2000)The cultural hierarchy in funding: Government funding of the performing arts based on ethnic and geographic distinctions (2015)The ecologies and economy of cultural value from research (2015)Artistic Journalism: Confluence in Forms, Values and Practices (2020)Performance Art: From Futurism to the Present (1988)Performing Autoethnography: An Embodied Methodological Praxis (2001)Theatre of the oppressed (2020)
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Cited by

  • 2014Marketing the Entrepreneurial Artist in the Innovation Age: Aesthetic Labor, Artistic Subjectivity, and the Creative Industries51 cited
  • 2011Art in public: politics, economics, and a democratic culture38 cited
  • 2005A Question of Morality: Artists' Values and Public Funding for the Arts32 cited
  • 2003The Institutionalization of an American Avant-Garde: Performance Art as Democratic Culture, 1970–200025 cited
  • 2008Theorizing the Queer Museum22 cited
  • 2006Performing Arts-Based Education Research: An Epic Drama of Practice, Precursors Problems and Possibilities20 cited
  • 2013The Legacy of Assotto Saint: Tracing Transnational History from the Gay Haitian Diaspora20 cited
  • 2021Funding bodies19 cited
  • 2004The Social Construction of an Art Field: How Audience Informed the Institutionalization of Performance Art10 cited
  • 2013Education Art9 cited
  • 2021Social protest photography and public history: “Whose streets? Our streets!”: New York City, 1980–20004 cited

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