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Cited by

• 2011Wagner-Dampf: Steam in Der Ring des Nibelungen and Operatic Production44 cited
• 2008Verdi and the French Aesthetic: Verse, Stanza, and Melody in the Nineteenth-Century Opera34 cited
• 2015The Operatic Canon32 cited
• 2018Female Singers on the French Stage, 1830–184831 cited
• 2009The Metropolitan Opera Goes Public: Peter Gelb and the Institutional Dramaturgy of The Met: Live in HD24 cited
• 2012Tonal Structures in Bellini21 cited
• 2011Situating opera: period, genre, reception21 cited
• 2015Divas and Divos20 cited
• 2019Opera in contention: social conflict in late nineteenth-century Mexico City20 cited
• 2015Censorship12 cited
• 2010Le travail à l’œuvre: Enquête sur l’autorité contingente du créateur dans l’art lyrique9 cited
• 2010Bizet in Khayelitsha: U-Carmen eKhayelitsha as audio-visual transculturation8 cited
• 2016“Un nodo avviluppato”. Rossini’s La Cenerentola as a prototype of multimodal resemiotisation7 cited
• 2012Making Waves: Opening Keynote for the Twentieth Anniversary of the Feminist Theory and Music Conference7 cited
• 2011Performance and the Socialized Text