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Music as a Bridge: Musikalische Beziehungen zwischen England und Deutschland 1920-1950
0 references·8 citing·13 second hop
Music as a Bridge: Musikalische Beziehungen zwischen England und Deutschland 1920-1950 (2005)Music as a Bridge: Musikalische Beziehung…The songs and shorter secular choral works (2013)The songs and shorter secular…The composer and society: family, politics, nation (2013)The composer and society: fam…The Cambridge Companion to Vaughan Williams (2013)The Cambridge Companion to Va…Music for stage and film (2013)Music for stage and filmHistory and geography: the early orchestral works and the first three symphonies (2013)History and geography: the ea…Folksong arrangements, hymn tunes and church music (2013)Folksong arrangements, hymn t…Becoming a national composer: critical reception toc.1925 (2013)Becoming a national composer:…‘An Englishman and a democrat’: Vaughan Williams, large choral works, and the British festival tradition (2013)‘An Englishman and a democrat…The Music of the English Parish Church (1980)Englishness: Politics and Culture 1880-1920 (1988)Popular Music in England, 1840-1914. A Social History (1989)Music Education, Social Justice, and the “Student Voice” (2016)The envy of the world: Fifty years of the BBC Third Programme and Radio 3, 1946-1996 (1996)English Culture and the Decline of the Industrial Spirit, 1850-1980 (1982)Public Moralists (1991)The Rise of Professional Society (2003)The rivals of Aristophanes : studies in Athenian old comedy (2000)British Music and Modernism, 1895–1960 (2011)Making an English Voice: Performing National Identity during the English Musical Renaissance (2016)The Cambridge Companion to Wagner's Der Ring des Nibelungen (2020)Wagner and the Rise of Modern Mythology (2020)
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Cited by

  • 2013The Cambridge Companion to Vaughan Williams45 cited
  • 2013Folksong arrangements, hymn tunes and church music15 cited
  • 2013Music for stage and film3 cited
  • 2013The composer and society: family, politics, nation3 cited
  • 2013Becoming a national composer: critical reception toc.19252 cited
  • 2013The songs and shorter secular choral works2 cited
  • 2013History and geography: the early orchestral works and the first three symphonies2 cited
  • 2013‘An Englishman and a democrat’: Vaughan Williams, large choral works, and the British festival tradition2 cited

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