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Cited by

• 2000Creative Development as Acquired Expertise: Theoretical Issues and an Empirical Test200 cited
• 2011How Product Order Affects Market Identity83 cited
• 1998Fickle fashion versus immortal fame: Transhistorical assessments of creative products in the opera house.76 cited
• 2022Tradition as a resource: Robust and radical interpretations of operatic tradition in the Italian opera industry, 1989–201141 cited
• 2013Great,Madama ButterflyAgain! How Robust Market Identity Shapes Opera Repertoires39 cited
• 2006Opera and Absolutism in Restoration Italy, 1815–186034 cited
• 2014Between cosmopolitanism and nationhood: Italian opera in the early nineteenth century28 cited
• 2006Staging a Handel opera24 cited
• 2013Parody of Greco-Roman Myth in Offenbach’s Orfée aux enfers and La belle Hélène19 cited
• 2012Opera in the Age of Rousseau: Music, Confrontation, Realism19 cited
• 2013The Fate of Orpheus on the Operatic Stage: Death and Transfiguration17 cited
• 2007Voice classification and Fach: Recent, historical and conflicting systems of voice categorization10 cited
• 2005The Embodiment of Vulnerability8 cited
• 2012Genre and poetics8 cited