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Cited by

• 2019The lexical fallacy in emotion research: Mistaking vernacular words for psychological entities.168 cited
• 2016Towards a positive cross-cultural lexicography: Enriching our emotional landscape through 216 ‘untranslatable’ words pertaining to well-being122 cited
• 2008The Promise of Sonic Translation: Performing the Festive Sacred in Morocco97 cited
• 2020Multivocality95 cited
• 2007Time, Gesture and Attention in a Khyāl Performance59 cited
• 2023Music and Citizenship43 cited
• 2011Reconsidering Music and Trance: Cross-cultural Differences and Cross-disciplinary Perspectives36 cited
• 2009Facing the music: Rituals of belonging and recognition in contemporary Western art music34 cited
• 2012"The Text Must Remain the Same": History, Collective Memory, and Sung Poetry in Morocco28 cited
• 2013Palestinian Music and Song: Expression and Resistance since 190023 cited
• 2023How the Grateful Dead Learned to Jam22 cited
• 2014Make Some Noise, Drari : Embodied Listening and Counterpublic Formations in Moroccan Hip Hop21 cited
• 2016Evolution of Tonal Organization in Music Optimizes Neural Mechanisms in Symbolic Encoding of Perceptual Reality. Part-2: Ancient to Seventeenth Century21 cited
• 2019