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Interrogating comprovisation as practice-led research
3 references·0 citing·11 second hop
Interrogating comprovisation as practice-led research (2006)Interrogating comprovisation as practice-…From Experimental Music to Musical Experiment (1997)From Experimental Music to Mu…Sonatas and Interludes (1977)Sonatas and InterludesThe Technique of My Musical Language (1957)The Technique of My Musical L…The Structure of Scientific Revolutions (1963)Experimental Music: Cage and Beyond (1975)The Originality of the Avant Garde and Other Modernist Myths (1988)Children's Early Reflections on Improvised Music-making as the Wellspring of Musico-philosophical Thinking (2007)"Experimentalists and Independents are Favored": John Edmunds in Conversation with Peter Yates and John Cage, 1959-61 (2008)In re: ‘Experimental Music’ (2012)Chernomor to Kashchei: Harmonic Sorcery; Or, Stravinsky's "Angle" (1985)Tempus ex Machina: A composer's reflections on musical time (1987)Un cri de passion ne s'analyse pas: Olivier Messiaen's Harmonic Borrowings from Jules Massenet (2016)SCORING ESSINGTON Composition, Comprovisation, Collaboration (2011)Sedap Cycle: A Multi-Movement ‘Compositional Tour’ of Malaysian Cuisine (2017)
this work references cited by second hop

References

  • 1957The Technique of My Musical Language161 cited
  • 1997From Experimental Music to Musical Experiment37 cited
  • 1977Sonatas and Interludes9 cited

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