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Art et archives : le cas Robert Rauschenberg1
4 references·0 citing·15 second hop
Art et archives : le cas Robert Rauschenberg1 (2014)Art et archives : le cas Robert Rauschenb…Classification des documents et conservation des archives en arts visuels : la problématique des centres dartistes autogérés (2011)Classification des documents …Art et archives: une perspective archivistique (2009)Art et archives: une perspect…An Archival Impulse (2004)An Archival Impulse"Preoccupied With Our Own Gardens": Outreach and Archivists (1990)"Preoccupied With Our Own Gar…Deep Storage: Collecting, Storing and Archiving in Art (1998)Archive Fever: Uses of the Document in Contemporary Art (2008)The Big Archive: Art From Bureaucracy (2008)Des archives mises en scène par les artistes (2015)Estado de la archivística en América Latina 2000-2009. Perspectivas teóricas y aproximaciones conceptuales (2017)Les Souverains Anonymes : des archives carcérales du « dedans » (2024)A Basic Glossary for Archivists, Manuscript Curators, and Records Managers (1974)Archival Strategies for the Post-Custodial Era (1981)From Paper Archives to People Archives: Public Programming in the Management of Archives (1990)An investigation into the management of the records and archives of former liberation movements in east and southern Africa held by national and private archival institutions. (2010)Availing the liberation struggle heritage to the public (2012)PUBLIC PROGRAMMING SKILLS OF ARCHIVISTS IN SELECTED NATIONAL MEMORY INSTITUTIONS OF EAST AND SOUTHERN AFRICA (2016)The Body as Archive: Will to Re-Enact and the Afterlives of Dances (2010)Pornography, porno, porn: thoughts on a weedy field (2014)Seeing things: Violence, voyeurism and the camera (2014)
this work references cited by second hop

References

  • 2004An Archival Impulse595 cited
  • 1990"Preoccupied With Our Own Gardens": Outreach and Archivists37 cited
  • 2009Art et archives: une perspective archivistique11 cited
  • 2011Classification des documents et conservation des archives en arts visuels : la problématique des centres dartistes autogérés1 cited

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