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A Centurion's "Confession": A Performance-Critical Analysis of Mark 15:39
16 references·2 citing·33 second hop
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this work references cited by second hop

References

  • 1982Orality and Literacy7,002 cited
  • 1985Structures of Social Action4,171 cited
  • 1975Verbal Art as Performance11,126 cited
  • 1995The world on paper: the conceptual and cognitive implications of writing and reading921 cited
  • 1964The History of the Synoptic Tradition508 cited
  • 2007Irony in Language and Thought323 cited
  • 1989Binding the strong man: a political reading of Mark's story of Jesus255 cited
  • 1983The Oral and the Written Gospel: The Hermeneutics of Speaking and Writing in the Synoptic Tradition, Mark, Paul, and Q192 cited
  • 1996Exploring the texture of texts : a guide to socio-rhetorical interpretation190 cited
  • 1991Let the Reader Understand: Reader-Response Criticism and the Gospel of Mark144 cited
  • 2002The case against Q: studies in Markan priority and the synoptic problem100 cited
  • 1987The Folklore Text: From Performance to Print94 cited
  • 2004Proclaiming the Gospel: first-century performance of Mark89 cited
  • 1991Theatrical presentation: performer, audience and act85 cited
  • 2000Mark: A Reader-Response Commentary82 cited
  • 2006Dialogue and Drama: Elements of Greek Tragedy in the Fourth Gospel

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75 cited

Cited by

  • 2018The Gospel of Mark, Orality Studies and Performance Criticism12 cited
  • 2021Performing Early Christian Literature12 cited