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A Lexicon for Historic Plains Indian Rock Art: Increasing Interpretive Potential
1 references·16 citing·43 second hop
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(1982)Symbolic and Structural Archaeology (1982)The Signs of All Times: Entoptic Phenomena in Upper Palaeolithic Art [and Comments and Reply] (1988)Basketmaker and Archaic Rock Art of the Colorado Plateau: A Reinterpretation of Paleoimagery (2010)Cross‐sectional geometry in the humeri of foragers and farmers from the prehispanic American Southwest: Exploring patterns in the sexual division of labor (2010)The Source of Iron‐Oxide Pigments Used in Pecos River Style Rock Paints (2013)Rock Art in New Mexico (1972)Arminto Petroglyphs: Rock Art Damage Assessment and Management Considerations in Central Wyoming (2005)Rock Art as Historical Sources in Colonial Contexts (2012)Plains Indian Rock Art (2016)Cultural transmission, language, and basketry traditions amongst the California Indians (2003)Encyclopedia of Global Archaeology (2014)Stylistic Change and Emic Cultural Continuity in Archaic-Period Anthropomorphs at No Bear, Montana (2020)The Horse in Blackfoot Indian Culture. By John C. Ewers. (1955)A DStretch discovery: A Crow calling card pictograph at Writing-on-Stone (2023)Entangled Objects (1991)1492, el encubrimiento del otro: (hacia el origen del "mito de la modernidad") (1994)Decolonizing Indigenous histories: exploring prehistoric/colonial transitions in archaeology (2013)Making Rock Art: Correspondences, Rhythms, and Temporalities (2022)Christianity in the Rock Art of Australia and Chile (2025)Pictographs of the North American Indians: A Preliminary Paper (1886)Indians of the Plains (1954)Indians of North America (1969)Painted Bison Robes: The Missing Link in the Biographic Art Style Lexicon (1996)The Peopling of the New World: Present Evidence, New Theories, and Future Directions (2000)Every Detail Counts: More Additions to the Plains Biographic Rock Art Lexicon (2003)Bird Rattle’s Petroglyphs at Writing-On-Stone:Continuity in the Biographic Rock Art Tradition (2000)Being Indian at Fort Marion: Revisiting Three Drawings (2013)
this work references cited by second hop

References

  • 1971Plains Indian art from Fort Marion87 cited

Cited by

  • 2013Gesture and performance in Comanche rock art43 cited
  • 1987Plains Indian Portable Art as a Key to Two Texas Historic Rock Art Sites27 cited
  • 1991A Multivariate Study of Rock Art Anthropomorphs at Writing-on-Stone, Southern Alberta21 cited
  • 2004Tracing Comanche history: Eighteenthcentury rock art depictions of leatherarmoured horses from the Arkansas River basin, south-eastern Colorado, USA19 cited
  • 1990Rock Art and Hunter-Gatherer Archaeology: A Case Study from SW Texas and Northern Mexico12 cited
  • 2016Assessing the chronology of post-contact rock art on the northern Plains via multivariate statistical comparison with Blackfoot biographic art10 cited
  • 2006Women in War: Gender in Plains Biographic Rock Art9 cited
  • 1991A Thing to Tie on the Halter: An Addition to the Plains Rock Art Lexicon9 cited
  • 2018Making rock art under the Spanish empire: a comparison of hunter gatherer and agrarian contact rock art in North-central Chile8 cited
  • 2007Turner Rockshelter: A Blackfeet Redoubt in the Heart of Crow Country7 cited
  • 2010Getting the Point: Metal Weapons in Plains Rock Art6 cited
  • 2018Cheval Bonnet: A Crow Calling Card in the Blackfeet Homeland5 cited
  • 2019Dating Crow Rock Art through Multivariate Statistical Comparison with Biographic Artworks

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5 cited
  • 1993Hunting Camps and Hunting Magic: Petroglyphs of the Eldorado Divide, West Texas4 cited
  • 2008Anthropomorphic Effigies of the Plains4 cited
  • 2016Prominent places on the landscape: Occupations at Cowhead Mesa along the eastern escarpment edge of the Southern High Plains of Texas4 cited