LA BIMODALIDAD EN LAS FORMAS DEL FANDANGO Y EN LOS CANTES DE LEVANTE: ORIGEN Y EVOLUCIÓN

Abstract

In the world of formal varieties of flamenco styles, the fandango is representative of a unique musical structure, shared by Levante songs as forms of fandango they are. The musical structure of the fandango has been called by the term bimodal. This article discusses the meaning of the term and its suitability to qualify the fandango, doing a fandango historical journey from primitive fandangos to the miners flamenco songs.

Cite this work

No public copy is stored for this record, so only the metadata is cited.

Stored only when both papers are in the corpus — 3 citations exist upstream.

Papers that cite the same references — the relational fallback while embeddings are still backfilling.