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Film Theory and Criticism: Introductory Readings
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  • 2003Twelve Fallacies in Contemporary Adaptation Theory313 cited
  • 1991The Photograph as an Intersection of Gazes: The Example of National Geographic122 cited
  • 1990Stereotyping in films in general and of the Hispanic in particular85 cited
  • 1992Encounter With A Road Siren: Machines, Bodies and Commodities In the Imagination of a Mawri Healer82 cited
  • 2002The Gang's All Here: Generic versus Racial Integration in the 1940s Musical by Sean Griffin69 cited
  • 1999The Cambridge History of American Theatre61 cited
  • 2006Genre and Genre Analysis48 cited
  • 2016The Cambridge Companion to Film Music43 cited
  • 2008GOSSIP, SPORT AND PRETTY GIRLS43 cited
  • 2014Animating the Instant37 cited
  • 2014“First Principles” of Animation35 cited
  • 2007Positioning auteur theory in Chinese cinemas studies: intratextuality, intertextuality and paratextuality in the films of Tsai Ming-liang31 cited
  • 2020Genre- und Autorentheorie30 cited
  • 2001A Pygmalion Tale Retold: Remaking La Femme Nikita28 cited
  • 2022Theoretical Concepts of Film Studies in Cinema Art Journal: 1945–1955

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27 cited
  • 2016Materializing Film Music26 cited