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Performing Works of Music Authentically
16 references·2 citing·30 second hop
Performing Works of Music Authentically (2012)Performing Works of Music AuthenticallyPhilosophy of the Performing Arts (2011)Philosophy of the Performing …Works of Music (2007)Works of MusicThe Imaginary Museum Of Musical Works (2007)The Imaginary Museum Of Music…The Routledge Companion to Aesthetics (2005)The Routledge Companion to Ae…The Philosophy of Music (2004)The Philosophy of MusicArt as Performance (2004)Art as PerformanceThemes in the Philosophy of Music (2003)Themes in the Philosophy of M…Playing with History (2002)Playing with HistoryMusical Works and Performances (2001)Musical Works and PerformancesAuthenticities (1995)AuthenticitiesMusic, Art, and Metaphysics. (1993)Music, Art, and Metaphysics.TRANSCRIPTION, AUTHENTICITY AND PERFORMANCE (1988)TRANSCRIPTION, AUTHENTICITY A…THE CONCEPT OF AUTHENTIC PERFORMANCE (1988)THE CONCEPT OF AUTHENTIC PERF…AUTHENTICITY IN MUSICAL PERFORMANCE (1987)AUTHENTICITY IN MUSICAL PERFO…ARTISTIC CRIMES: THE PROBLEM OF FORGERY IN THE ARTS (1979)ARTISTIC CRIMES: THE PROBLEM …Languages of Art (1976)Languages of ArtA twist on the historically authentic musical performance (2024)A twist on the historically a…Variants of Concern: Authenticity, Conservation, and the Type-Token Distinction (2021)Variants of Concern: Authenti…The Postmodern Condition: A Report on Knowledge (1984)Marvelous Possessions (1991)The Heritage Crusade and the Spoils of History (1998)The End of Early Music (2007)Compositions, Scores, Performances, Meanings (2012)The Cambridge Companion to Opera Studies (2012)Music Performance Research at the Millennium (2003)Art and Intention (2005)Authenticity (2018)The Cambridge history of philosophy, 1870-1945 (2004)Descriptivism and Its Discontents (2017)Choreography Invisible (2020)Emotion and Peace of Mind (2002)The Ontology of Art (2004)Metaphysical Disputes and Metalinguistic Negotiation (2016)Ordinary Objects (2007)How to have a radically minimal ontology (2009)What Is a Recipe? (2015)In Search of Authenticity* (2005)An Essentialist Account of Authenticity (2016)The Psychology of Authenticity (2018)Learning with Media (1991)Will media influence learning? Reframing the debate (1994)Beyond Compare: Metaphor In Organization Theory (2005)The Complexity of Improvisation and the Improvisation of Complexity: Social Science, Art and Creativity (2003)The Social and the Aesthetic: For a Post-Bourdieuian Theory of Cultural Production (2010)Classical music as enforced Utopia (2016)Musical Understanding, Musical Works, and Emotional Expression: Implications for education (2005)Seeing Dark Things (2008)Emotions Expressed and Aroused by Music (2010)
this work references cited by second hop

References

  • 1976Languages of Art1,596 cited
  • 2007The Imaginary Museum Of Musical Works352 cited
  • 2001Musical Works and Performances332 cited
  • 2004Art as Performance309 cited
  • 1993Music, Art, and Metaphysics.270 cited
  • 2002Playing with History252 cited
  • 1995Authenticities197 cited
  • 2007Works of Music173 cited
  • 2011Philosophy of the Performing Arts153 cited
  • 2003Themes in the Philosophy of Music122 cited
  • 1979ARTISTIC CRIMES: THE PROBLEM OF FORGERY IN THE ARTS100 cited
  • 2004The Philosophy of Music84 cited
  • 2005The Routledge Companion to Aesthetics83 cited
  • 1987AUTHENTICITY IN MUSICAL PERFORMANCE77 cited
  • 1988THE CONCEPT OF AUTHENTIC PERFORMANCE75 cited
  • 1988TRANSCRIPTION, AUTHENTICITY AND PERFORMANCE67 cited

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  • 2021Variants of Concern: Authenticity, Conservation, and the Type-Token Distinction7 cited

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  • 2024A twist on the historically authentic musical performance3 cited