SZodixStudyAcademic Library
ShelvesOpen access
Study · an open academic library·Metadata from OpenAlex (CC0)·Shelves·OpenAlex metadata, de-duplicated
Apartheid cinema and indigenous image rights:
10 references·0 citing·29 second hop
Apartheid cinema and indigenous image rights: (2008)Apartheid cinema and indigenous image rig…The Gods Must Be Crazy (2011)The Gods Must Be CrazyRereading theGods Must be CrazyFilms (2006)Rereading theGods Must be Cra…Mana Tuturu: Maori Treasures and Intellectual Property Rights (2006)Mana Tuturu: Maori Treasures …Blood Narrative: Indigenous Identity in American Indian and Maori Literary and Activist Texts (2004)Blood Narrative: Indigenous I…African film: re-imagining a continent (2004)African film: re-imagining a …Blood Narrative (2002)Blood NarrativeIn darkest Hollywood: exploring the jungles of cinema's South Africa (1997)In darkest Hollywood: explori…The Bushman Myth: The Making of a Namibian Underclass (1995)The Bushman Myth: The Making …The Cinema of John Marshall. (1994)The Cinema of John Marshall.The Bushman Myth: The Making of a Namibian Underclass (1993)The Bushman Myth: The Making …Nisa: The Life and Words of a !Kung Woman. (1983)New challenges for documentary (1989)Cultural Survival Quarterly (2013)The Language Question: Khoisan Linguicide and Epistemicide (2019)Twenty-first century indigenism (2006)The urban palimpsest: Re‐presenting Sophiatown (2008)“TIA—This is Africa”: Afropessimism in Twenty-First-Century Narrative Film (2010)Reimaging Gender and African Tradition? Ousmane Semb�ne'sXalarevisited (2004)Women in African cinema : an aesthetic and thematic analysis of filmmaking by women in Francophone West Africa and Lusophone and Anglophone Southern Africa (2009)African Films in the Classroom (2010)Citizens of Humanity: Internationalism and the Imagined Community of Nations (1994)The Lifeways of Hunter-Gatherers: The Foraging Spectrum (2013)Ontological anthropology and the deferral of critique (2014)Literature and the Politics of Native American Studies (2005)Mental Health, Wellness, and the Quest for an Authentic American Indian Identity. (2006)Diversity in the United States and Abroad: What Does It Mean When American Studies Is Transnational? (2007)The Cambridge History of the American Novel (2011)The worlding of the American novel (2011)The Kalahari Bushmen Debate: Implications for Archaeology of Southern Africa (1996)From roots to routes (2002)Primordialism and the ‘Pleistocene San’ of southern Africa (2016)Powering popular conceptions: The !Kung in the Marshall family expedition films of the 1950s (1999)Further Lessons in Kalahari Ethnography and History (2003)Māori Intellectual Property Rights and the Formation of Ethnic Boundaries (2009)Intellectual Property Law and the Globalization of Indigenous Cultural Expressions: Māori Tattoo and the Whitmill versus Warner Bros. Case (2013)Ownership reasoning in children across cultures (2014)Introduction (1995)The Forgotten Mau: Anti-Navy Protest in American Samoa, 1920-1935 (2000)Technology- and Product-Oriented Movements: Approximating Social Movement Studies and Science and Technology Studies (2005)
this work references cited by second hop

References

  • 2002Blood Narrative189 cited
  • 1995The Bushman Myth: The Making of a Namibian Underclass133 cited
  • 2004Blood Narrative: Indigenous Identity in American Indian and Maori Literary and Activist Texts104 cited
  • 1997In darkest Hollywood: exploring the jungles of cinema's South Africa96 cited
  • 1993The Bushman Myth: The Making of a Namibian Underclass79 cited
  • 2011The Gods Must Be Crazy52 cited
  • 2006Mana Tuturu: Maori Treasures and Intellectual Property Rights40 cited
  • 2004African film: re-imagining a continent28 cited
  • 2006Rereading theGods Must be CrazyFilms15 cited
  • 1994The Cinema of John Marshall.14 cited

Cited by

No citing works inside the corpus for this window.

Only edges whose both ends are imported exist here. Widen the year window, or show the whole map. Back to the work