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Producing Bollywood: inside the contemporary Hindi film industry
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Cited by

  • 2016Media Piracy and the Terrorist Boogeyman: Speculative Potentiations71 cited
  • 2012The politics of wire service photography: Infrastructures of representation in a digital newsroom63 cited
  • 2014The Value of Ethnography43 cited
  • 2017Cinema-going during the Gezi protests: claiming the right to the Emek movie theatre and Gezi Park33 cited
  • 2017Telemodernities: television and transforming lives in Asia33 cited
  • 2014Neoliberal Logics of Voice: Playback Singing and Public Femaleness in South India22 cited
  • 2014A new kind of radio: FM broadcasting in India21 cited
  • 2020Female body, femininity and authority in Bollywood: The “new” woman in Dangal and Queen20 cited
  • 2016‘English Vinglish’ and Bollywood: what is ‘new’ about the ‘new woman’?20 cited
  • 2015Fuzzy Numbers19 cited
  • 2017Singing through the Screen: Indian Idol and the Cultural Politics of Aspiration in Post-Liberalization India14 cited
  • 2015Bollywood's India: Hindi Cinema as a Guide to Contemporary India12 cited
  • 2015“Invisible Work” in the Indian Media Industries9 cited
  • 2014Film and Cinephilia in Pakistan: Beyond Life and Death9 cited

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2016
The production ofEk Tha Tiger: A marriage of convenience between Bollywood and the Irish film and tourist industries
8 cited
  • 2014Bollywood Goes to the Stadium: Gender, National Identity, and Sport Film in Hindi8 cited