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ABSTRACTThe Cove is an activist documentary that seeks to stop the dolphin drives in Taiji, Japan in which tens of thousands of dolphins annually are herded into a hidden lagoon where some are culled for dolphinaria and the majority slaughtered. This pro-cetacean effort proceeds by means of an intense, clandestine field deployment of high-tech cameras and audio recorders to infiltrate the forbidden above- and underwater space of the lagoon and expose the stabbing, suffering and dying. Responses to the film have questioned whether the resulting depiction of the coastal whalers is unethical, anti-Japanese or even racist, and whether the film's focus on dolphins neglects the broader catastrophe of marine life depletion. This article develops a spatial media approach to reframe these and raise other questions. Extrapolating from ‘eavesdropping’—a research practice that marine mammal scientists use to study dolphin-to-dolphin and dolphin-to-human communication—the article explores how The Cove extends document...
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