Work2015

Landscape and Power

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Photographic and Visual Arts Urbanism, Landscape, and Tourism Studies Historical Art and Culture Studies

Abstract

LANDSCAPE MITCH EPSTEIN Port of Beaumont, Texas, 2006 Since land is invariably somebody’s possession, landscape is inextricable from notions of ownership. For instance, many early landscape paintings were commissioned by wealthy merchants and aristocrats to show off their country esta

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Cited by

2011Opposing Wind Energy Landscapes: A Search for Common Cause 2006The Rhizomatic Relations of A/r/tography 2004Materializing post-colonial geographies: examining the textural landscapes of migration in the South Asian home 2003The Concept of Cultural Landscape: Discourse and Narratives 2002The cultural representation of the farming landscape: masculinity, power and nature 2001Landscapes, Memory, Monuments, and Commemoration: Putting Identity in Its Place 2007Steve Bell's Eye: Cartoons, Geopolitics and the Visualization of the 'War on Terror'2008Landscape, mobility, practice

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