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Thirty Years' Musical Recollections
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Thirty Years' Musical Recollections (2009)Thirty Years' Musical RecollectionsAn Earnest Meyerbeer:Le Prophèteat London’s Royal Italian Opera, 1849 (2017)An Earnest Meyerbeer:Le Proph…Musical Miscellany in Charles Dickens’s Journals, 1850–70 (2014)Musical Miscellany in Charles…Classic staging: Pauline Viardot and the 1859Orphéerevival (2010)Classic staging: Pauline Viar…The tenor-castrato connection, 1760-1860 (2006)The tenor-castrato connection…ARMGART'S VOICE PROBLEMS (2006)ARMGART'S VOICE PROBLEMSFrederick Gye and "The Dreadful Business of Opera Management" (1995)Frederick Gye and "The Dreadf…Directions for Improvised Ornamentation in Italian Method Books of the Late Eighteenth Century (1978)Directions for Improvised Orn…Metahistory. The Historical Imagination in Nineteenth-Century Europe. (1975)Techniques of the observer: on vision and modernity in the nineteenth century (1991)The Audible Past (2003)‘As a stranger give it welcome’: musical meanings in 1830s London (2013)Verdi's Don Carlo as Monument (2013)Celluloid Diva: Staging Leoncavallo'sZazàin the Cinematic Age (2019)The Opera Industry in Italy from Cimarosa to Verdi: The Role of the Impresario (1985)The New Grove dictionary of opera (1993)The New Grove dictionary of music and musicians (2001)To the Opera House? The Trials and Tribulations of Operatic Production in Nineteenth-Century America (2008)The English Common Reader: A Social History of the Mass Reading Public, 1800-1900 (1958)The Letters of Charles Dickens (1976)Music in Other WordsVictorian Conversations (2004)Victorian gothic soundscapes (2018)Essay on the True Art of Playing Keyboard Instruments (1949)On Playing the Flute (1966)Anleitung zum Clavierspielen (1969)Writing beyond the Ending: Narrative Strategies of Twentieth-Century Women Writers (1987)Noise, the Political Economy of Music (1989)Unsung Voices: Opera and Musical Narrative in the Nineteenth Century (1991)Guglielmo d'Ettore: Mozart's First Mitridate (1994)INTRODUCTION TO THE ART OF SINGING (1995)The Fact of the Castrato and the Myth of the Countertenor (2002)Changing vocal style and technique in Britain during the long nineteenth century (2014)The Mirror and the Lamp: Romantic Theory and the Critical Tradition. (1955)Sincerity and Authenticity (1972)The Melodramatic Imagination: Balzac, Henry James, Melodrama, and the Mode of Excess. (1985)
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Cited by

  • 1995Frederick Gye and "The Dreadful Business of Opera Management"19 cited
  • 2010Classic staging: Pauline Viardot and the 1859Orphéerevival9 cited
  • 2006The tenor-castrato connection, 1760-18607 cited
  • 1978Directions for Improvised Ornamentation in Italian Method Books of the Late Eighteenth Century6 cited
  • 2006ARMGART'S VOICE PROBLEMS5 cited
  • 2014Musical Miscellany in Charles Dickens’s Journals, 1850–704 cited
  • 2017An Earnest Meyerbeer:Le Prophèteat London’s Royal Italian Opera, 18492 cited

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