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A Tonal Revolution in Fifths and Semitones: Aaron Copland’sQuiet City
14 references·2 citing·35 second hop
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References

  • 1991Maximally Even Sets203 cited
  • 1980The Group-Theoretic Description of 12-Fold and Microtonal Pitch Systems195 cited
  • 1990Remaking the Past187 cited
  • 1981Tonal Types and Modal Categories in Renaissance Polyphony172 cited
  • 1963Problems of Pitch Organization in Stravinsky127 cited
  • 1996Neoclassic and Anachronistic Impulses in Twentieth-Century Music107 cited
  • 1998Voice-Leading Spaces63 cited
  • 1982A Principle of Voice Leading in the Music of Stravinsky41 cited
  • 1997Stravinsky's "Special Sense": The Rhetorical Use of Tonality in "The Rake's Progress"36 cited
  • 2002Nonconformist Notions of Nineteenth–Century Enharmonicism32 cited
  • 2003Dual Interval Space in Twentieth-Century Music23 cited
  • 1996Generalized Diatonic and Pentatonic Scales: A Group-Theoretic Approach16 cited
  • 2010Prolongation in the Choral Music of Benjamin Britten11 cited
  • 1986Recompositions by Schoenberg Stravinsky and Webern11 cited

Cited by

  • 2019Guide-Tone Space4 cited
  • 2016Reflections on (and in) Strunk's Tonnetz

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3 cited