SZodixStudyAcademic Library
ShelvesOpen access
Study · an open academic library·Metadata from OpenAlex (CC0)·Shelves·OpenAlex metadata, de-duplicated
The George Gershwin Reader
0 references·16 citing·26 second hop
The George Gershwin Reader (2007)The George Gershwin ReaderSinging and Dancing in Widescreen (2022)Singing and Dancing in Widesc…Writing for the Big Screen:Shall We DanceandA Damsel in Distress (2019)Writing for the Big Screen:Sh…The Cambridge Companion to Gershwin (2019)The Cambridge Companion to Ge…Gershwin in Hollywood (2019)Gershwin in HollywoodComplexities in Gershwin’sPorgy and Bess: Historical and Performing Contexts (2019)Complexities in Gershwin’sPor…Broadway’s “New” Gershwin Musicals: Romance, Jazz, and the Ghost of Fred Astaire (2019)Broadway’s “New” Gershwin Mus…Broadway in Blue: Gershwin’s Musical Theater Scores and Songs (2019)Broadway in Blue: Gershwin’s …The Cambridge Companion to the Musical (2017)The Cambridge Companion to th…American Musical Theatre before the Twentieth Century (2017)American Musical Theatre befo…Innovators: Songwriters (2009)Innovators: Songwriters“Each Man Kills the Thing He Loves”: Bernstein's Formative Relationship withRhapsody in Blue (2009)“Each Man Kills the Thing He …Tonality as Drama : Closure and Interruption in Four Twentieth-Century American Operas (2008)Tonality as Drama : Closure a…Bill Finegan's Gershwin Arrangements and the American Concept of Hybridity (2008)Bill Finegan's Gershwin Arran…The Hollywood Career of Gershwin's Second Rhapsody (2007)The Hollywood Career of Gersh…From "White Christmas" to Sgt. Pepper: The Conceptual Revolution in Popular Music (2007)From "White Christmas" to Sgt…Where Did Porgy and Bess Come From? (2006)Where Did Porgy and Bess Come…Film music: A neglected art : a critical study of music in films (1992)The Hollywood Musical (1992)The speed of sound: Hollywood and the talkie revolution, 1926-1930 (1998)The American popular ballad of the Golden Era, 1924-1950 (1996)The Autobiography of William Carlos Williams (2001)Genre in Popular Music (2007)Biomusic and Popular Culture: The Use of Animal Sounds in the Music of the Beatles (2012)Examining the age‐performance relationship for entrepreneurs: Does the innovativeness of a venture make a difference? (2015)Narcissism and the art market performance (2016)Making Music Modern (2000)America's musical life: a history (2001)The Oxford Handbook of African American Language (2015)George Gershwin : a study in American music (1958)Disintegrating the Musical (2002)The Oxford Handbook of The American Musical (2011)Heavenly Bodies: Film Stars and Society (1987)Highbrow/Lowbrow (1988)Love and theft: blackface minstrelsy and the American working class (1994)Domestic Melodrama (2018)Gothic Melodrama (2018)The Cambridge Companion to English Melodrama (2018)Audio-vision: sound on screen (1994)Love and Theft: Blackface Minstrelsy and the American Working Class. (1994)Exile and Pride : Disability, Queerness and Liberation (2009)Specters of Nazism (2020)Wagner and the Rise of Modern Mythology (2020)
this work references cited by second hop

References

No references inside the corpus for this window.

Cited by

  • 2007The Hollywood Career of Gershwin's Second Rhapsody32 cited
  • 2019Gershwin in Hollywood31 cited
  • 2019Writing for the Big Screen:Shall We DanceandA Damsel in Distress30 cited
  • 2017American Musical Theatre before the Twentieth Century25 cited
  • 2019The Cambridge Companion to Gershwin21 cited
  • 2019Complexities in Gershwin’sPorgy and Bess: Historical and Performing Contexts19 cited
  • 2019Broadway in Blue: Gershwin’s Musical Theater Scores and Songs17 cited
  • 2022Singing and Dancing in Widescreen17 cited
  • 2019Broadway’s “New” Gershwin Musicals: Romance, Jazz, and the Ghost of Fred Astaire15 cited
  • 2007From "White Christmas" to Sgt. Pepper: The Conceptual Revolution in Popular Music14 cited
  • 2008Tonality as Drama : Closure and Interruption in Four Twentieth-Century American Operas13 cited
  • 2006Where Did Porgy and Bess Come From?11 cited
  • 2017The Cambridge Companion to the Musical8 cited
  • 2009Innovators: Songwriters5 cited
  • 2008Bill Finegan's Gershwin Arrangements and the American Concept of Hybridity4 cited

Only edges whose both ends are imported exist here. Widen the year window, or show the whole map. Back to the work

  • 2009“Each Man Kills the Thing He Loves”: Bernstein's Formative Relationship withRhapsody in Blue4 cited