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Cited by

• 2000How Music Matters: Some Songs of Robert Johnson in the Plays of Beaumont and Fletcher31 cited
• 2022The Oxford Handbook of Early Modern Women's Writing in English, 1540-170023 cited
• 2001Women's use of music to motivate erotic desire in the drama of Beaumont and Fletcher17 cited
• 2007Composition as an Act of Performance: Artifice and Expression in Purcell's Sacred Partsong Since God so tender a regard15 cited
• 2022Untimely Developments14 cited
• 2002Psalm Culture in the English Renaissance: Readings of Psalm 137 by Shakespeare, Spenser, Milton, and Others13 cited
• 2022Receiving Early Modern Women’s Drama9 cited
• 2022Early Modern Women, Race, and Writing Revisited9 cited
• 2022Lyric Backwardness6 cited
• 2020What Do Signatures Signify?5 cited
• 1979Drolls, Drolleries and Mid-Seventeenth-Century Dramatic Music in England4 cited
• 2005Image and eloquence: secular song4 cited
• 2022How Lady Jane Grey May Have Used her Education3 cited
• 1987In Defense of Campion: A New Look at His Ayres and Observations3 cited