SZodixStudyAcademic Library
ShelvesOpen access
Study · an open academic library·Metadata from OpenAlex (CC0)·Shelves·OpenAlex metadata, de-duplicated
D.W. Griffith and the origins of American narrative film: the early years at Biograph
0 references·16 citing·38 second hop
D.W. Griffith and the origins of American narrative film: the early years at Biograph (1991)D.W. Griffith and the origins of American…Engaging Characters (2022)Engaging CharactersEngaging Characters (2022)Engaging CharactersSilent Biopics (2019)Silent BiopicsSynchronized Music: The Influence of Pantomime on Moving Pictures (2015)Synchronized Music: The Influ…Collective Screams: William Castle and the Gimmick Film (2011)Collective Screams: William C…Productive intermediality and the expert audiences of magic theatre and early film (2010)Productive intermediality and…Blondes Have More Fun : Anita Loos and the Language of Silent Cinema (2010)Blondes Have More Fun : Anita…How It Feels to Be Run Over: Early Film Accidents (2008)How It Feels to Be Run Over: …T. S. Eliot and Cinema (2006)T. S. Eliot and CinemaLois Weber, Progressive Cinema, and the Fate of “The Work-a-Day Girl” in Shoes (2004)Lois Weber, Progressive Cinem…On Impurity: the Dialectics of Cinema and Literature (2003)On Impurity: the Dialectics o…Cinematic Dickens and uncinematic words (2003)Cinematic Dickens and uncinem…Projections and Intersections: Paranoid Textuality in Sorry, Wrong Number (2002)Projections and Intersections…Spectral Times: The Ghost Film As Historical Allegory (2001)Spectral Times: The Ghost Fil…Reality is Bleeding: A Brief History of Film from the Sixteenth Century (2001)Reality is Bleeding: A Brief …"White Man's Book No Good": D. W. Griffith and the American Indian (2000)"White Man's Book No Good": D…The Cinema of Attractions Early Film, Its Spectator and the Avant-Garde (1990)Men, women, and chain saws: gender in the modern horror film (1992)Carnal Thoughts (2004)“Death by Fright”: Risk, Consent, and Evidentiary Objects in William Castle's Rigged Houses (2016)Monstrous Forms (2019)Film sound: Theory and practice (1985)Rethinking Media Change (2003)A medium is always born twice …1 (2005)The Cinema of Exposure: Spiritualist Exposés, Technology, and the Dispositif of Early Cinema (2014)The Cambridge History of the Gothic (2020)The Standard Edition of the Complete Psychological Works of Sigmund Freud (1953)Camera Lucida: Reflections on Photography (2001)Mapping spectral tropicality in The Maid and Return to Pontianak (2008)Haunting Malayness: the multicultural uncanny in a new Indonesian province (2010)Specters of Marx (2012)The Intimacy of Distance: South Korean Cinema and the Conditions of Capitalist Individuation (2013)Image-Music-Text (1977)Reading for the plot : design and intention in narrative (1984)Written on the Screen: Mediation and Immersion in Far from Heaven (2004)Gossip, Letters, Phones (2008)A new conscience and an ancient evil. (1914)Cheap Amusements: Working Women and Leisure in Turn-of-the-Century New York (1987)A Feminist Reader in Early Cinema (2002)Gramophone, Film, Typewriter (1987)Discourse Networks, 1800/1900 (1990)War and Cinema: The Logistics of Perception (1991)Slow Fade to Black: The Negro in American Film, 1900-1942 (1977)Unthinking Eurocentrism: Multiculturalism and the Media (1996)Blackface, White Noise: Jewish Immigrants in the Hollywood Melting Pot. (1997)American Nationhood as Eugenic Romance (2001)“The Cross-Heart People”: Race and Inheritance in the Silent Western (2003)The Hollywood Indian Stereotype: The Cinematic Othering and Assimilation of Native Americans at the Turn of the 20th Century (2020)The Work of Art in the Age of Mechanical Reproduction (2007)Lenin and Philosophy and Other Essays (1971)The Interpretation of Cultures (1974)Visual Pleasure and Narrative Cinema (1975)Characters in Film and Other Media (2025)Judgment under uncertainty: Heuristics and biases (1982)
this work references cited by second hop

References

No references inside the corpus for this window.

Cited by

  • 2001Spectral Times: The Ghost Film As Historical Allegory60 cited
  • 2004Lois Weber, Progressive Cinema, and the Fate of “The Work-a-Day Girl” in Shoes48 cited
  • 2022Engaging Characters42 cited
  • 2003On Impurity: the Dialectics of Cinema and Literature33 cited
  • 2000"White Man's Book No Good": D. W. Griffith and the American Indian32 cited
  • 2010Productive intermediality and the expert audiences of magic theatre and early film30 cited
  • 2002Projections and Intersections: Paranoid Textuality in Sorry, Wrong Number30 cited
  • 2011Collective Screams: William Castle and the Gimmick Film25 cited
  • 2006T. S. Eliot and Cinema24 cited
  • 2022Engaging Characters18 cited
  • 2003Cinematic Dickens and uncinematic words18 cited
  • 2001Reality is Bleeding: A Brief History of Film from the Sixteenth Century13 cited
  • 2015Synchronized Music: The Influence of Pantomime on Moving Pictures12 cited
  • 2010Blondes Have More Fun : Anita Loos and the Language of Silent Cinema11 cited
  • 2008How It Feels to Be Run Over: Early Film Accidents11 cited

Only edges whose both ends are imported exist here. Widen the year window, or show the whole map. Back to the work

  • 2019Silent Biopics11 cited