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Cited by

• 2001Theatre, Crime and the Edgy City in Post-apartheid Johannesburg31 cited
• 2001Black Atlantics, White Indians, and Jews: Locations, Locutions, and Syncretic Identities in the Fiction of Achmat Dangor and Others31 cited
• 2003Antigone's Bodies: Performing Torture30 cited
• 2004On Laughter, the Grotesque, and the South African Transition: Zakes Mda’s Ways of Dying27 cited
• 2011The Economy and Poverty in the Twentieth Century25 cited
• 2001The eventification of Afrikaans culture—some thoughts on the Klein Karoo Nasionale Kunstefees (KKNK)23 cited
• 2006Filming the Edgy City: Cinematic Narrative and Urban Form in Postapartheid Johannesburg17 cited
• 2003Rethinking Community Theatre: Performing arts communities in post-apartheid South Africa13 cited
• 2001“Shoo—This Book Makes Me to Think!” Education, Entertainment, and “Life-Skills” Comics in South Africa10 cited
• 2012On the Tragedy of the Commoner: Elektra, Orestes, and Others in South Africa8 cited
• 2007“White Cities,” “Diamond Zulus,” and the “African Contribution to Human Advancement”: African Modernities and the World's Fairs8 cited
• 2012"So Take This Magic Flute and Blow. It Will Protect Us As We Go": Impempe Yomlingo (2007-11) and South Africa's Ongoing Transition7 cited