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A century of recorded music: listening to musical history
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  • 2009Sound Souvenirs : Audio Technologies, Memory and Cultural Practices224 cited
  • 2007The End of Early Music152 cited
  • 2003"Should One Applaud?" Breaches and Boundaries in the Reception of New Technology in Music116 cited
  • 2012Vocal performance in the seventeenth century56 cited
  • 2012The Cambridge History of Musical Performance46 cited
  • 2016Recordings as learning and practising resources for performance: Exploring attitudes and behaviours of music students and professionals33 cited
  • 2010Ethnomusicology and the Music Industries: An Overview31 cited
  • 2007Vocal Expression in Recorded Performances of Schubert Songs31 cited
  • 2006Musicians on Television: Visible, Audible and Ignored26 cited
  • 2015Who Plays the Tune in “Body and Soul”? A Performance History Using Recorded Sources22 cited
  • 2020Making Music, Finishing Music – An Inquiry Into the Music-Making Practice of Popular Electronic Music Students in the “Laptop-Era”18 cited
  • 2017Performing Civility: International Competitions in Classical Music17 cited
  • 2007After the Golden Age17 cited
  • 2020Music Technology in Education – Channeling and Challenging Perspectives16 cited

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  • 2017Mapping K-Pop Past and Present12 cited
  • 2007Making and Hearing Virtual Worlds: John Culshaw and the Art of Record Production11 cited