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Cited by

• 2010Richard Wagner: Self-Promotion and the Making of a Brand48 cited
• 2011Jewry in Music: Entry to the Profession from the Enlightenment to Richard Wagner32 cited
• 1983The Parisian "Venus" and the "Paris" "Tannhauser"16 cited
• 1989Creatio ex nihilo: The Genesis, Structure, and Meaning of the "Rheingold" Prelude9 cited
• 2003Wagner vs. Meyerbeer7 cited
• 1976Hegel, Feuerbach, and Wagner'sRing6 cited
• 2005Musicology and Critical Theory: The Case of Wagner, Adorno, and Horkheimer6 cited
• 1995Richard Wagner'sParsifaland the theory of late style4 cited
• 2001Opera and music drama4 cited
• 1991Wagner and the "Völospá"4 cited
• 2014Making the march king: John Philip Sousa's Washington years, 1854-18934 cited
• 2014Mime, Meyerbeer and the Genesis ofDer junge Siegfried: New Light on the ‘Jewish Question’ in Richard Wagner’s Work3 cited
• 1995TheRingand the conditions of interpretation: Wagner's writing, 1848 to 18523 cited