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Cited by

• 2012Wastrels of Time: Slow Cinema’s Laboring Body, the Political Spectator, and the Queer77 cited
• 2014Supporting art cinema at a time of commercialization: Principles and practices, the case of the International Film Festival Rotterdam74 cited
• 2017The Cinematographic Unconscious of Slum Voyeurism39 cited
• 2012Shakespeare and World Cinema38 cited
• 2015Animating the Cinéfils : Alain Resnais and the Cinema of Discovery36 cited
• 2015Films on Ice29 cited
• 2014Theorizing art cinemas: foreign, cult, avant-garde, and beyond26 cited
• 2018Towards a poor cinema: ubiquitous trafficking and poverty as problematic in Midi Z’s films22 cited
• 2021World Cinema in a Global Frame18 cited
• 2015Certain Tendencies in Contemporary Auteurist Film Practice in Africa16 cited
• 2018Video artivism: The poetics of symbolic conflict14 cited
• 2018Problems of development of aesthetic culture at teenagers by means of the Kazakh decorative and applied arts10 cited
• 2013The Prettiness of Italian Cinema10 cited
• 2021Notes on the Slow Thriller in Contemporary World Cinema10 cited
• 2013