Tamburlaine the Great: Parts I and II

Abstract

Arguably the single-most important play of the Elizabethan era, Tamburlaine did more than any other to transform an insignificant form of public entertainment, barely distinguishable from the juggling, fencing, and animal-baiting with which it shared its performance space, into an art of national importance...Tamburlaine cranks the excitements of language and spectacle to an unprecedented pitch, not simply to indulge the fantasies of the audience but as an exemplary demonstration of poetry's dangerous potency.-The New York Review of Books. Christopher Marlowe (1564-1593) has been called the founder of English drama and the perfecter of dramatic blank verse. He is known as a poet and translator of Lucan and Ovid, and as a guide and leader for Shakespeare and the other Elizabethan poets and dramatists. Tamburlaine the Great was his most ambitious work and the first play written in English blank verse. John Davies Jump was professor of English at the University of Manchester.

Cite this work

No public copy is stored for this record, so only the metadata is cited.

Stored only when both papers are in the corpus — 11 citations exist upstream.