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Biafra and the Aesthetics of Closure in the Third Generation Nigerian Novel
14 references·0 citing·43 second hop
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this work references cited by second hop

References

  • 1984Reading for the plot : design and intention in narrative2,553 cited
  • 1980The Value of Narrativity in the Representation of Reality2,347 cited
  • 1985Three Women's Texts and a Critique of Imperialism1,425 cited
  • 2020The Cambridge Introduction to Narrative902 cited
  • 2001Narrative Theory and the Cognitive Sciences560 cited
  • 1987Before Reading: Narrative Conventions and the Politics of Interpretation536 cited
  • 1993The Difference - Deferral of (A) Colonial Modernity: Public Debates on Domesticity in British Bengal180 cited
  • 1985Three Women’s Texts and a Critique of Imperialism171 cited
  • 2008“Half and Half Children”: Third-Generation Women Writers and the New Nigerian Novel82 cited
  • 2008Ora na-azu nwa:The Figure of the Child in Third-Generation Nigerian Novels67 cited
  • 2008Biafra as Heritage and Symbol: Adichie, Mbachu, and Iweala53 cited
  • 2008Metonymic Eruptions: Igbo Novelists, the Narrative of the Nation, and New Developments in the Contemporary Nigerian Novel40 cited
  • 2008Introduction: Everything Good Is Raining: Provisional Notes on the Nigerian Novel of the Third Generation40 cited
  • 2008Language and Time in Postcolonial Experience18 cited

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