Closing the Distance: Interpreting Cross‐Cultural Engagements Through Indigenous Rock ArtAnne Clarke, Ursula Frederick2006-01-01other36 citationsclosedNo readable copy stored yet — this record is metadata only.Archaeology and Rock Art StudiesIndigenous Cultures and HistoryAustralian Indigenous Culture and HistoryAbstractNo abstract was published for this record.Citations in this libraryStored only when both papers are in the corpus — 36 citations exist upstream.References1996Nourishing terrains : Australian Aboriginal views of landscape and wilderness1995Ancestral Connections: Art and an Aboriginal System of Knowledge.2004Saltwater People: spiritscapes, maritime rituals and the archaeology of Australian indigenous seascapes1992Macassan loanwords in top end languages2001Working on country: Contemporary indigenous management of Australia's lands and coastal regions1999Representing the Nation : A Reader : Histories, Heritage and Museums1997Archaeology and linguistics : aboriginal Australia in global perspective2003Ritually Orchestrated Seascapes: Hunting Magic and Dugong Bone Mounds in Torres Strait, NE AustraliaCited by2010Painting History: Indigenous Observations and Depictions of the ‘Other’ in Northwestern Arnhem Land, Australia2013Historical Archaeology, Contact, and Colonialism in Oceania2006Archaeology, diaspora and decolonization2012Picturing Change and Changing Pictures: Contact Period Rock Art of Australia2008Boat images in the rock art of northern Australia with particular reference to the Kimberley, Western Australia2012Sails Set in Stone: A Technological Analysis of Non-indigenous Watercraft Rock Art Paintings in North Western Arnhem Land2015Iarisi's Domain: Historical Archaeology of a Melanesian Village, Tanna Island, Vanuatu2021Resistance and remembering through rock art: Contact‐period rock art in Wardaman country, Northern Australia