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Beat culture and the New America, 1950-1965
0 references·7 citing·21 second hop
Beat culture and the New America, 1950-1965 (1995)Beat culture and the New America, 1950-19…Alternative Music - Ambiguity of Genre & Beat Generation (2013)Alternative Music - Ambiguity…Middlebrow Knowingness in 1950s San Francisco: The Kingston Trio, Beat Counterculture, and the Production of “Authenticity” (2010)Middlebrow Knowingness in 195…STRUCTURAL FILM: (2008)STRUCTURAL FILM:The Visual Arts in Post‐1945 America (2006)The Visual Arts in Post‐1945 …Sites of Subjectivity: Robert Morris, Minimalism, and Dance (2004)Sites of Subjectivity: Robert…The Cambridge History of American Theatre (2000)The Cambridge History of Amer…American Theatre in Context: 1945–Present (2000)American Theatre in Context: …The Artworld (1964)Visual Pleasure and Narrative Cinema (1975)An Introduction to Visual Culture (2023)The Rolling Stone Book of the Beats: The Beat Generation and American Culture (1999)Heavier Than Heaven: A Biography of Kurt Cobain (2001)The typewriter is holy: the complete, uncensored history of the Beat generation (2010)The field of cultural production, or: The economic world reversed (1983)The Field of Cultural Production: Essays on Art and Literature (1996)The Organization Man (2002)The Coming of Post-Industrial Society: A Venture in Social Forecasting. (1974)AMUSING OURSELVES TO DEATH† (1985)After the Great Divide (1986)Feminist Studies/Critical Studies (1986)Writing on the body : female embodiment and feminist theory (1997)Shadow of the other: intersubjectivity and gender in psychoanalysis (1998)The Standard Edition of the Complete Psychological Works of Sigmund Freud (1953)Postmodernism, or, The Cultural Logic of Late Capitalism (1992)Warhol’s 1960s’ Films, Amphetamine, and Queer Materiality (2014)Afro-Electric Counterpoint (2019)That’s All It Does (2019)The Lonely Crowd: A Study of the Changing American Character. (1951)
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Cited by

  • 2008STRUCTURAL FILM:25 cited
  • 2006The Visual Arts in Post‐1945 America14 cited
  • 2004Sites of Subjectivity: Robert Morris, Minimalism, and Dance7 cited
  • 2000The Cambridge History of American Theatre6 cited
  • 2000American Theatre in Context: 1945–Present4 cited
  • 2013Alternative Music - Ambiguity of Genre & Beat Generation3 cited
  • 2010Middlebrow Knowingness in 1950s San Francisco: The Kingston Trio, Beat Counterculture, and the Production of “Authenticity”3 cited

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